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La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Pedro, Luis, Raúl and Santi are four friends who feel a bit lost in the new world of empowered women, each trying to adjust in their own haphazard way.

Breaking up from a relationship is hard. Discussions can last forever.

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

An aesthetic and politic portrait of Mexico's 90s decade through the biography of artist Rita Guerrero, who developed in different fields, mostly music and theater.

A family of five living in 50 square meters without air conditioning on a scorching summer day decides that perhaps the best option is to stay overnight in the empty 'mansion' where the father works as a gardener.

Rival factions struggle over a box that was entrusted by Pancho Villa to several members of his higher command. Second of three films in series "El jinete sin cabeza."

Follows two friends, Juan and David, they will find themselves on a rooftop terrace after an intense party in Madrid. Juan witnesses David falling to the void, and his body disintegrating into ceramic pieces after hitting a car.

A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.

On a road somewhere in Ukraine, Ana, an aid worker for a Spanish NGO, helps Yrina flee the bombings with her son, Yure. They want to reach the border as quickly as possible and get to safety.

Judith, a young woman from Barcelona’s high society, plunges into a spiral of parties and excess to escape her family’s expectations. Her life of excess leads to a dark encounter at a nightclub, triggering an explosion of addiction and family hostility that forces her out of her home. Inspired by the film “Navajeros”, she decides to rob a pharmacy, with fatal consequences. Left with no options, she seeks refuge in a drug den, crossing boundaries she once thought unbreakable.

After his father’s death, Luis, a screenwriter, returns to the village in La Mancha where he was born to spend the first months of mourning with his mother. During his stay, he uncovers a family secret that challenges his relationship with her and helps him come to terms with the authoritarian nature of his late father.