Rika 3: Juvenile's Lullaby

First film of a trilogy following the dramatic life of Rika, a half-Japanese/half-American woman who becomes the tough-as-nails leader of an all-girl crime gang.

Rica wanting a fresh start leaves her friends and past life behind or at least that is what she thinks as trouble always seems to find her. Rica's looks into a ship that exploded and everyone who survived this disaster who comes in contact with her dies. Rica only chance of solving the mystery of the sunken ship is if she can locate a old friend of hers who just happened to be on that ship the night it blew up.

The film consists of three short stories. Tomiko, the heroine of the first story, "The Flower Girl" (dir. Kozaburo Yoshimura), is a little girl who bears the unbearable burden of caring for her family. Tomiko's father has been unable to find work for a long time, and her older sister is terminally ill—it is unlikely that she will ever recover. To feed her family, Tomiko runs around the city from morning until late at night selling flowers... The second novella (dir. Tadashi Imai) also depicts the lives of the poor. An unfamiliar girl brings young Kavano a letter from his mother. It turns out that the girl's name is Kuniko, she is very hardworking, but her family is dying of hunger. Therefore, her mother decided to send Kuniko to her son so that he would marry her. The short story is called "The Unexpected Bride." The third short story, which gave the film its title, is particularly interesting: "When You Love" (dir. Satsuo Yamamoto). It shows the family of a young peace activist.

Kohei Akiyama, a popular master swordsman, and his son Daijiro live in the town of Edo in good faith. While running a dojo, Daijiro and his father find themselves wrapped up in a series of events with the town's people.

Among Yoshimura’s complex and political works, this episodic film, set in the early 1930s, follows the life of a young left-wing student activist disenchanted by the increasingly hawkish state of Japanese society.

Life and love in corrupt postwar Tokyo, as a young couple struggles against both the law and the mob.

33-year-old poor writer Ogata was able to endure his miserable life cheerfully thanks to Yoshie, a 19-year-old innocent young wife. After graduating from a girls' school in Hokuriku, she immediately moved to Tokyo to meet and marry Ogata. After neatly writing Ogata's manuscript, he would buy dorayaki as a gratuity and devour it.

Three stories about the relationship between men and women: "Playgirl" (Masumura/Shirasaka), "Company No. 2" (Yoshimura/Kasahara), and "San Nyotai" (Kinugasa/Shindô).

Kisuke, a young bamboo worker marries Tomoe, a courtesan who was once involved with Kisuke's late father.

Seventeen years after the atomic bomb was dropped on Hiroshima, a newspaper reporter looks for the bomb's effects, but everyone seems to have forgotten. He meets a woman who was there when it happened but when they fall in love she isn't able to move on.

A family of Kyoto textile workers struggles after tragedy.

Shows the devastation caused by the atomic bomb, and by use of a fictional storyline, portrays the struggle of the ordinary Japanese people in dealing with the aftermath.

Ichiro’s family used to be a large landowner, but now he is living in poverty with his mother. His mother works hard to get her son through school. Under such circumstances, Ichiro meets Wakako, the daughter of a wealthy man, and they fall in love with each other, but they are opposed by those around them because of their different social status.

After Japan's defeat in the war, the Anjo family lose their peerage and wealth. Since their mansion is due to pass into the hands of a creditor, the family holds one last ball before leaving.

The story of two sisters in post-war Japan. One is a geisha and the other works for the tourist board.

The three Matsunami sisters navigate adulthood and the complex social pressures of finding a husband while living under their traditional father’s roof. As they balance their personal desires against the family's obsession with status, their search for "marriageable age" stability is complicated by secret affairs and the cold reality of arranged matches. They must ultimately decide whether to conform to the rigid expectations of their upper-class upbringing or break away to pursue their own independence.

Kazuo Miyagawa’s prizewinning black-and-white cinematography draws out the moral shadings of Nobel laureate Yasunari Kawabata’s 1952 novel Thousand Cranes, a quietly devastating story of a young man, orphaned during the war, who stumbles into a passionate yet tragic relationship with his late father’s mistress and her daughter.

A traditional bar mistress in Kyoto clashes with her Tokyo rival.