Kyoko Aizome's Widow Boarding House

A young man named Jun Umemura, with the look of a radical student, arrives at the boarding house run by widowed 'Mama' Katsu. Struck by his handsome features, she showers him with attention and gradually coaxes him into her bed. But just as he's faced with Mama’s seductive, bare body, he spots a fellow activist, and bolts out the door.

A young man named Jun Umemura, with the look of a radical student, arrives at the boarding house run by widowed 'Mama' Katsu. Struck by his handsome features, she showers him with attention and gradually coaxes him into her bed. But just as he's faced with Mama’s seductive, bare body, he spots a fellow activist ... and bolts out the door.

One day, when a vacancy opened up at the boarding house, an ostentatious move began. An elderly man arrived in a luxury car and directed the movers as fine items—luxurious bedding, a paulownia wood wardrobe, and other furniture—were hauled in. The new boarder turned out to be Ayamaro, the legitimate heir of the former noble Ura Komichi family. Perhaps due to his aristocratic upbringing, he just couldn’t quite match everyone else’s pace.

College student Ozaki tries to talk to Sumire, the florist's daughter. However, Kakuta, a fellow lodger, is also after her. The two men fight, but Ozaki is defeated in one blow by Kakuta, who practices Shaolin Kung Fu. However, Kakuta is rejected by Sumire in one go for groping her.

Pink film distributed by Nikkatsu.

Towards the end of WWII, the Navy gave the Kyoto University's physics lab the secret of a bomb that makes use of nuclear fission energy. While doing research to save Japan, the researchers there wonder if they should promote the development of weapons as scientists. Research enthusiast Ishimura Osamu tries to experiment purely but is at the mercy of the time period. His brother, Hiroyuki, also has to face the truth of the war. Asakura Setsu wants only to talk about the future. A story based on historical facts about youth during the tragedy of war.

This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.

Kokko is a third grade elementary school student. Even though she has a family who loves her, Kokko is full of dissatisfaction and she admires loneliness.

Director Ogata discovers a new female star in Koharu Tanaka, who works selling candy at a studio theater and she is given a part as a bit player. After the studio's top leading lady is embroiled in a scandal, Koharu is suddenly thrust into the limelight when she replaces her in a film and gains instant fame and fortune. But the going is not always easy, and she soon seeks help from unexpected quarters.

At the end of WWII, Japanese doctor Akagi searches for the cure for hepatitis in the prisoner-of-war camp.

Softcore porn collaboration between Nikkatsu director Shinya Yamamoto and gag manga artist Fujio Akatsuka, utilizing both creators' comedy techniques in an erotic setting.

Mysterious aliens help a salaryman and his boss with their problems in bed.

Pinku from 1972.

Short stories dealing with extreme punishment towards promiscuous women.

While an obscene audio tape is played, a young woman has sex. She becomes obsessed with the recording and can only achieve orgasm if she is listening to it. Complications ensue when her boyfriend becomes troubled by the tape and is unable to perform sexually while it is being played.

An impotent salaryman discovers he can have sexual experiences with unsuspecting women when he becomes an out-of-body ghost.

Pink film distributed by Nikkatsu.

One day, when a vacancy opened up at the boarding house, an ostentatious move began. An elderly man arrived in a luxury car and directed the movers as fine items—luxurious bedding, a paulownia wood wardrobe, and other furniture—were hauled in. The new boarder turned out to be Ayamaro, the legitimate heir of the former noble Ura Komichi family. Perhaps due to his aristocratic upbringing, he just couldn’t quite match everyone else’s pace.