Like Water for Chocolate

One sunny afternoon, during a garden party, young Alice sees with surprise how the writer Lewis Carroll, a friend of her parents, unusually turns into a white rabbit, and immediately feels the irrepressible desire to follow him into a magical rabbit hole.

This new Christmas ballet film was conceived by Matthew Bourne and directed by his long standing film collaborator Ross MacGibbon. The film celebrates Bourne's power to imaginatively transform ballet, taking dance and dancers off the stage into studio, bringing together projections, animation, and an intimate shooting style to produce a distinctive new way of presenting dance on screen. Those who know Bourne's stage work will spot extracts from many of his biggest hits (including Swan Lake, Edward Scissorhands, and Nutcracker!), but for audiences less familiar with his work this is simply a journey through a series of magical worlds where stories are told through dance.

Coppélia, a mechanical doll made by the toy-maker Dr. Coppelius, is so life-like that some believe she is his daughter. The mistake leads to intrigue and jealousy in love. Directed by Ross MacGibbon, with Leanne Benjamin and Carlos Acosta.

America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare.

Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.

In his small pub in the northern English town of Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Amongst the cub reporters and pub regulars dying to hear Harry's reaction to the news, his old assistant Syd and the peculiar Mooney lurk with very different motives for their visit.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

When the S.S. American heads out to sea, etiquette and convention head out the portholes as two unlikely pairs set off on the course to true love... proving that sometimes destiny needs a little help from a crew of singing sailors, a comical disguise and some good old-fashioned blackmail. This hilarious musical romp across the Atlantic, directed by the multi-award-winning Broadway director and choreographer Kathleen Marshall, features Cole Porter’s joyful score, including "I Get A Kick Out of You," "You’re the Top" and the show-stopping "Anything Goes."

Paris, after the end of the Second World War: GI Jerry Mulligan stays in the City of Lights after falling in love with a mademoiselle at first sight. Being a stranger, Jerry gets to know pianist Adam Hochberg, who - unbeknownst to Jerry - adores the same woman. The two of them have to work together for a ballet with said woman, who is promised to Henri Baurel. Henri also gets acquainted with Jerry and Adam.

A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.

Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.

During a hot summer, Sonya and her uncle Vanya spend their days idle in a dilapidated farmhouse deep in the countryside. Alone and isolated, they only receive occasional visits from Astrov, the local doctor.

Sergei Polunin is a breathtaking ballet talent who questions his existence and his commitment to dance just as he is about to become a legend.

‘Ondine’, a ballet by Frederick Ashton, premiered at the Royal Opera House, Covent Garden, on 27 October 1958, with Margot Fonteyn in the title role of the water nymph. In this 2009 revival (27 May 2009 to 8 June 2009) at the Royal Opera House, Covent Garden, in London, the role of Ondine is performed by Miyako Yoshida, in the spellbinding underwater world of Ondine, staged by the Royal Ballet. Frederick Ashton’s shimmering choreography, Lila de Nobili’s impressionistic sets and Hans Werner Henze’s vibrant and inventive score, composed especially for the occasion, combine in an unforgettable way to evoke the myriad moods and colours of the sea.

Alfredo Germont and the courtesan Violetta Valéry fall in love at a party in Violetta's Paris salon. Alfredo is determined to cure Violetta of her tuberculosis, and the couple leave Paris and begin a contented life in the country. But Violetta's happiness is destroyed when Alfredo's father Giorgio Germont pays her a visit. Richard Eyre's stunning naturalistic production contrasts the superficial glamour of 19th-century Parisian high life with intimate scenes for Violetta with Alfredo and Giorgio Germont, culminating in the heart-breaking final act.

Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France. But the ambitions of this charismatic king are challenged by a host of vivid characters caught up in the real horrors of war. Henry V, which opened the new Globe with the words ‘O for a muse of fire’, celebrates the power of language to summon into life courts, pubs, ships and battlefields within the ‘wooden O’ - and beyond.