The Womb

Kerim and Rena were in love, but had to marry other people. Despite the passing of time, their love is now prohibited and dangerous in the society they live in. They see each other every week on a hill where the villagers go to use their mobile phones, but they cannot express their feelings. They can only express their love secretly, through lights flashing in the dark of night.

There may be a 50-year age difference between Samid and Ayaz, but they share a passion for film. Both are brimming with ideas to revive the cinema in their village in the hills of Azerbaijan. Once the long-awaited Holy Grail – a projector bulb – arrives after many months, the cinema is packed out with locals... But will the magic work?

The mother-in-law is very different from the mother-in-law of 40 years ago. The modern mother-in-law is the wife of one of the oligarchs. Living a luxurious life, Janan spends her days in massage parlors and shopping. However, like most mothers-in-law, she likes to interfere in her child's choices. So, although her son Fuad wants to marry the daughter of the maid who works in their house, Janan strongly objects, stating that she is not suitable for their family. Fuad, in turn, asks for help from his uncle Shohrat. They meet Ilgar, who presented the fake bride to the mother-in-law in the film 40 years ago. Ilgar introduces the foreign bride Mufita to Janan as the daughter of the king of Atruba. And all the adventures begin from then on.

A letter sent to Lenin's Mausoleum changes the protagonist's entire life.

For thirty years now, a dilapidated house has been providing essential asylum to war refugees from Nagorno-Karabakh. Three generations, including the children and grandchildren of people made to leave their homes, struggle to scratch an existence on the outskirts of Baku. They are faced with common problems: loss of home, outrooting, sadness and illnesses.