Home Video (Made in Thai Town)

The first railway line in Thailand was inaugurated in 1893 – a sign of progress and prosperity. Shot over eight years on every active line of the country's railway system, this wondrous documentary offers an unprecedented immersion into the country's past and present.

A story about director Apichatpong Weerasethakul’s parents who were both doctors, and his memories of growing up in a hospital environment.

The passionate relationship between two men with unusual consequences. The film is divided in two parts. The first half charts the modest attraction between two men in the sunny, relaxing countryside and the second half charts the confusion and terror of an unknown menace lurking deep within the jungle shadows.

A joyful shot recorded by Weerasethakul himself and two young men who become acquainted by filming each other in the back of a moving pickup truck. Though seemingly playful, the short film is a subtle portrait of migrant workers in the north of Thailand.

After hearing a loud ‘bang’ at daybreak, a Scottish woman begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia.

The clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies, infecting everything with the fever of white stupor.

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul

A family of 9 takes their grandmother on a merit-making trip to 9 temples in 1 day, hoping to prolong her life. But the trip takes an unexpected turn.

"Fever Room" features Jenjira (Jen) and Banlop (Itt), two of Apichatpong’s regular actors who also appear in his film, "Cemetery of Splendour". Like the film, this projection-performance presents the layers of reality and fantasy. Apichatpong fuses his memories with the actors’ and fictionalises the narrative. Here the people takes refuge in dreams while their land is on a brink of collapse, echoing Thailand’s present state of military dictatorship.

Taking the recent tsunami in Asia as its starting point, the filmmakers have used the idea of a ghost seen wandering along the rocky coastline of a Thai island and, in a life-affirming gesture, they have invited some local children to direct the film for them, suggesting and filming the movements of the actor-ghost.

Issara has 2 highest dreams in his life, making his own movie and being in love with someone (he is gay and never had a boyfriend), then he brings both of his dreams leading him to join the documentary project of BIOSCOPE film magazine, his project My First Boyfriend was selected. So he went to the internet to announce someone who is going to date him in this movie (he said this is a director-actor relationship) Issara's rule is he will use the camera to record this date but his face will never be shown, so the audience will see only the actor's face and will know the director by hearing his voice.

Diseases and a Hundred Year Period is a film-tract that comes to us from Thailand. It is directed by Sompot Chidgasornpongse, Weerasethakul's assistant on several of his films (including Syndromes and a Century), in reaction to the censorship of Syndromes and a Century in Thailand.

A man's physical pain prompts him to reminisce about an unborn child from his past relationship with another woman.