Augenblick

Dominik Graf, now a leading filmmaker, revisits his late father Robert Graf’s acting career (1956–1966), during which Robert appeared in 20 features and 25 TV dramas by directors like Hoffmann, Staudte, Siodmak, Sturges, and Comencini. Through archival clips and personal reflections, Dominik “meets” his father and confronts the West German society and film industry of that era, where scripted narratives often outweighed real life.

Fatih Akin sets out in search of his family roots and paints a portrait of his Turkish family. In 1965, his father came to Germany from Turkey to try his luck as a guest worker. He actually only wanted to stay for two years, but then he brought his wife to Hamburg and still works today in the chemical cleaning factory where he found a job back then.

Klaus Lemke steps out of the door of his Munich apartment and stands on Leopoldstrasse, where he has “lived” for many years. His documentary film is an avowedly gaudy declaration of love for Schwabinger Strasse, the people who live there and their realistic language.

Director Michael Gutmann comes to term with his own family's past by accompanying his mother to the Polish village of Klodzko where she grew up.

The musicians of the ‚Art Ensemble of Chicago’ have been performing their portrayal of jazz from past and present since 1967, not unlike a journey backwards in time aroused by an ancestral call to the myths of Africa. But what happens before their concerts? NULL SONNE NO POINT is the magnificent chronicle of the preparation for a concert and invites us into the very heart of the music, following the musicians backstage, at their rehearsals and moments of privacy and concentration, seeking the fluctuating emotions before the music begins.

In 1979, krautrock group Embryo toured Iran, Afghanistan and India by bus, while performing with local musicians and documenting their trip.

A former bank clerk conceives a one-man robbery at the bank he works. He had before established an alibi for himself pretending and declaring him legally dead. Further complications ensue when he rejoins his estranged wife.

Robert Lax (1915-2000) was a poet with a singular vision and style whose quest to live an authentic life as both an artist and a spiritual seeker inspired Thomas Merton, Jack Kerouac, William Maxwell and countless others. Known in the U.S. primarily as Merton’s best friend and in Europe as a daringly original avant-garde poet, Lax lived a life of simplicity, humility and grace that continues to encourage and motivate readers and followers. This film is a portrait of Robert Lax as he was to those who were fortunate to visit him during his thirty years of living on the Greek island of Patmos.

An avant-garde documentary film on English guitarist, composer and improviser Fred Frith.

A film by Karin Thome.

Filmmakers Nicolaus Humbert and Werner Penzel examine the nature of nomadic existence in this documentary, from the literal nomads of North Africa to the more metaphorical kind of wanderer, such as American poet and ex-pat Robert Lax. Humbert and Penzel focus especially on the nomad's paradoxical ability to fully inhabit every moment while remaining coolly detached from specific locales and anxious thoughts about the past or future.

Hidden in the wooded mountains on the west coast of Japan lies the small Zen monastery Antaiji. A young woman sets off to immerse herself through autumn, winter and spring in the adventures of monastic life. The young woman is Sabine Timoteo from Switzerland. The abbot of the monastery is Muho Noelke, born in Berlin. An interplay between the philosophy of the Japanese Zen master Kodo Sawaki and the surprises brought forth by everyday life.

Filming of the historical montage of Oswald de Andrade's play, where decadent millionaires, depraved children, corrupt and implacable capitalists are the characters interpreted by the Grupo Oficina, in a celebrated theatrical performance from 1967, fundamentally recorded in 1971 and released only in the 1980s.

Filmed in Patmos in May 1999, this is Robert Lax’s last year in Greece, roughly his last year of life. For 21 minutes you see only Lax’s head and his right hand, which holds a wooden staff of sorts (a walking stick or ... a broomstick?!). He wears a navy blue knit hat. The only movement is in his eyes, and ever so slight movements of his head. Lax does not look at the camera, his eyes are mostly downcast, but he is awake and aware, watching and waiting, and you are drawn into his profound stillness. All of those who were able to meet Lax during his lifetime consider it a particular stroke of fortune. They say that from that point on he became part of their bodies and souls, as though they had met a true saint. My Eye Your Eye is like being in the presence of holiness. For 20 minutes. Watching and waiting. I've always wanted to know better what Bob Lax was like - how he was. This film does it.

In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.

The path to Yusef Lateef was a journey into the unknown. We were aware that he is one of the great maestros of jazz and one of the last of his generation still alive. In an era of black culture that probably found its strongest form of expression in music, he was a contemporary and companion of those musicians who helped to shape and renew jazz: John Coltrane, Dizzy Gillespie, Charles Mingus, Cannonball Adderley. Now, at the age of 84, Yusef Lateef lives withdrawn in his house in the woods somewhere in New England – in a room full of musical instruments. He still plays his saxophone today, as he has done for most of his life. (Humbert & Penzel)

The space of a voice gives what is said its real meaning. In it you can feel what is actually behind the words. A voice can be like a landscape. Nobody we met on our cinematic paths made this more noticeable than Robert Lax. His incomparable serenity hovers over every thought. You can enter this space by listening to him read his poetry, a quarter hour of which is gathered in LAX READINGS.

From January to November 2004, as a kind of carnet de voyage alongside our other activities, we asked one and the same question of various people we met on our journeys, including friends: "Do you remember a moment in your life when something really changed?" We requested them to tell us a story to illustrate their reply, and we filmed them.

Johann le Guillerm, the tightrope walker who had become one of the main characters in Middle of the Moment, decided to found a new circus and called it “Cirque Ici.” In the fall of 1997, we visited him on the first European tour of his solo circus performance and shot with him for three days and nights.