Miyamoto Musashi

Second part of director Hiroshi Inagaki's 1940 adaptation of the story of Musashi Miyamoto.

Ito Daisuke's wartime retelling of the Miyamoto Musashi story.

Miyamoto Musashi is challenged by a series of opponents in this follow up to Miyamoto Musashi's Kongoin Ketto (1942, also called Nitoryu Kaigen) also directed by Ito Daisuke.

Directed by Kenji Mizoguchi. Released in 2 parts. His only release of 1931. Considered a lost film.

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

When the wife of a 17th-century Kyoto scrollmaker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves truly falling for one another.

In late 19th-century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that the praise he receives is only due to his status as his father's heir. Devastated, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully joins him.

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

Follows five sex workers employed at a Japanese brothel while the nation debates the passage of an anti-prostitution law.

Fleeing a distressing family situation, Eiko, a very young girl, becomes an apprentice to Miyoharu, a veteran geisha. Both, determined to preserve their professional integrity, must face the selfishness and ambition of several petty people.

After living a traumatic experience in Tokyo, Yukiko returns to Kyoto, where Hatsuko, her mother, runs a brothel, which upsets Yukiko very much.

Shinnosuke is introduced to Shizu as a prospective marriage partner, but he falls in love with her widowed sister Oyu. Convention forbids Oyu to marry because she has to raise her son as the head of her husband's family. Oyu convinces Shinnosuke and Shizu to marry so that she can remain close to Shinnosuke.

Utamaro, a great artist, lives to create portraits of beautiful women, and the Tokyo brothels provide his models. A world of passion swirls around him, as the women vie for lovers, and, occasionally, his art gets him into trouble.

In early post-war Osaka, three women—war widow Fusako, her Korean expat sister Natsuko, and Kumiko, Fusako's sister-in-law—descend into prostitution, all for their individual reasons.

A geisha in the Gion district of Kyoto feels obliged to help her lover when he asks to stay with her after going bankrupt and leaving his wife. However, her younger sister opposes this, thinking that they should both find wealthy patrons to support them.

One of Mizoguchi's first films, considered lost.

In the early 18th-century, Lord Takumi-no-kami Asano, feuding with Lord Kira, tries to kill his opponent in the corridors of the Shogun's palace. The Shogun sentences Asano to seppuku and deprives the palace and lands from his clan, but does not punish Kira. Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the Lord's dishonour. But their leader Kuranosuke Oishi seeks to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses, and Oishi and 46 rōnin are out for revenge.

Japan, 1137. The Taira family, a samurai clan, becomes involved in the disputes between Emperor Toba and the monks of Mount Hiei.