Byatikrami

The Peacock Spring

Filmed in India, Rumer Godden’s story has been adapted and directed by the Jewel in the Crown team. Two English schoolgirls arrive in New Delhi, 1959. Their diplomat father has secured them a beautiful Eurasian governess. 15-year-old Una suspects an ulterior motive. But her father’s affairs take second place to her own when she has a secret affair with the Indian gardener.

Dialogue & Delirium

Residents of Calcutta find solace from their hectic daily lives in conversations at one cafe or another. Newton is a member of one such group of cafe regulars. He appears to be in a romantic relationship with Ananya. Newton wants to start a business. Ananya consults her actress friend Laboni, who asks script-writer Arup to help Newton. However, Arup is perhaps too mysterious a character.

Sunya Theke Suru

During the 1960s Naxalite movement in Calcutta, an Economics professor sympathetic to the movement is arrested, tortured, and imprisoned for ten years. Upon his release, he returns to a transformed city, only to discover that the traumas of the past continue to haunt him.

1+1=3 Ora Tinjon

Ria marries to a police officer, Bidhan who is on the hunt for the notorious underground revolutionary, Sadhan. It so happens that Riya, inadvertently or otherwise, has been harbouring the "criminal" Sadhan. Moreover, Riya knew Sadhan in theri college days and they were very close, even intimate.

Bhrashta Tara

Bhrashta Tara Is A Bengali Film Based On Dowry System In India. Amar, A Diligent Student, Who During His College Days Is Engaged To Be Married To Surama, A Beautiful Village Girl.

Son of Adam

Noishabdo

When COVID-19 hits Khokon falls into substance abuse. With a lawyer's aid his wife Ganga and their 5 year-old daughter Durga escape with schoolmaster transforming their lives.

Aamra

Six people from different backgrounds share their love stories, lovers and relationships. In the process they come to terms with their own thoughts and feelings.

Hemanter Aparanha

A superannuated gentleman residing in the countryside is suddenly drawn into the world of theatre. The local group wants him in a Bengali version of a Pirandello play and he becomes involved with one of the players, a young girl in her twenties who, like him, is new to theatre. Against the backdrop of the pandemic and the imminent war in Ukraine, this story of a highly unlikely relationship unfolds even as a strictly conservative society looks on with baited breath. As the pandemic necessitates a hiatus in the rehearsals and the emptiness of his house engulfs him, the lonely gentleman gets sucked into a world of fantasy; his expectations build up and he becomes acutely sensitive to his milieu.