Punish Me

A biographical study of legendary actress Charlotte Rampling, told through her own conversations with artist friends and collaborators, including Peter Lindbergh, Paul Auster, and Juergen Teller. Intercut with footage from some of Rampling's most famous films, this "self-portrait through others" is a revealing look at one of our most iconic screen stars.

Survival is not enough. Fariba Tabrizi has made it. Under peril of death she has fled from Iran. In Germany she has no alternative way of avoiding the threat of deportation other than to assume the identity of a deceased co-detainee. So what happens after a few month in which she has tried to come to terms with a situation which is actually an insufferable one for her? How does Fariba live not only in this external state of exile but also in an inner state of exile? The term "in orbit" is officially used by the UN to refer to asylum-seekers who find themselves orbiting around planet Earth because they can actually find legal domicile nowhere at all.

Richard, an artist, now lives in Tangier. With his help, the young Moroccan Malik manages to reach Europe, the destination of his dreams. That's where Mathilda, a conservative politician, hides him. Amina, Mathilda's assistant, who finally wants to leave her Moroccan roots behind, is called in as a "mediator" to resolve the problem.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Kati leaves her hometown - a small provincetown in northwestern Germany - to live in the city of Hamburg. Being about 18 years old she has just finished school and seeks her freedom away from home. She knows she loves women but never dared to live accordingly. In Hamburg she soon finds a lover and a good friend, too, and the strength to face the narrow-minded people at home. After struggling with it for some time she returns for a visit to tell at least her mother and best friend.

On Christmas Eve, Francesca sets out for Rotterdam in order to find her little sister, who has run off with her musician boyfriend. On the way, she picks up Gerlinde, a heartbroken older woman at the end of her rope.

Nabou, an Afro-German slacker, desperatly wants to win back her club kid ex-girlfriend Katja. Nabou becomes a housekeeper for Katja's neighbor, Kim, who is a workaholic that is striving to become a partner in an advertising agency. A refreshing romantic comedy with the ingredients of a classic lesbian feature: whimsical sexiness, mistaken identity, and general madness and mayhem.

A documentary about the International Queer Film Festival Hamburg that celebrated its 25th anniversary in 2014. The filmmakers have filmed, interviewed, gleaned the archives, watched hours of footage and edited reams of material into a small masterpiece. With its gorgeous shots and sublime soundtrack, the documentary entertainingly brings across both the unique atmosphere and 25-year history, and above all, illuminates the complex mesh that both forms and carries the festival. On another note, the film tries to detect the ways a queer film festival like this has functioned as a platform for unheard voices - and continues to do so in the present. For some people, its sole existence has been a life changing momentum.