Manuel Aguilera

Over a hundred members of the chorus girls and dance groups from the Spanish "Sección Femenina" embark to America to show the richness of their national folklore. The girls have left parked their daily tasks to enjoy this great adventure aboard "Mount Albertia". During the trip, the relationship between the girls and the crew is very lively and in all scenarios where they perform, success always accompanies them.

José de Salamanca was arguably one of the most influential figures of the Spanish 1800s. This films tells his story.

Three men plan a jewelry heist abroad the Andalusia express train.

Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.

Javier is crazy in love for Bibiana, a beautifull acctress who is foing out with a wicked buisiness man. Javier suspects that his beloved is keeping a double set with another man, however, and despite the warnings of his friends, the boy decides to investigate on their own.

An outsider seduces and deceives a small-town girl, taking advantage of her innocence, in order to kill her mother.

Hyacinth, a former matador who lives miserably with his nephew Pepote, receives a letter reminding him that, as agreed a few days before, he must participate in a bullfight to be held that same afternoon.

Film divided into two stories: 1. Cuando los gorilas hablan por teléfono 2. Una chica de fortuna

A police inspector makes his service in a patrol car attenging emergency calls. A memory hauns him, the death of her daughter, who was killed hit by a car that fled. The car is located and the inspector goes there and confrontation will be violent.

Toledo, 1825. To save her fiancé, an opponent of the regime, the beautiful Inès agrees to marry the chief of police.

Juan and Carmen are a humble couple living in Madrid. She does the housework and he works as an electrician in a film studio. Their dreams of wellness come true when they win a contest sponsored by a soap brand.

A woman who has walked out of an unhappy marriage is unsuccessful trying to earn herself a new living and gets mixed with a man who is a murderer and tries to incriminate her.

Matador Ricardo wants to end his career. His manager and his mistress manage to dissuade him and get him to sign two contracts.

Film that tells the biography of the great bullfighter Sebastian Palomo Linares Linares, with the very skilled actor who plays the character. Palomo Linares belongs to a poor family but with great human values​​. He, like many others of his age, has a dream: to be a bullfighter. He works as an apprentice shoemaker fights secretly at night in the meadows. After a career of suffering and obstacles, the boy never lost hope, typical of his strong Christian convictions, and became a teacher, finally achieving success in the sand. The film shows with particular clarity the great Spanish tradition, as is the art of bullfighting.

One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.

Kingdom of Castile, the late fifteenth century. The film chronicles the events that Cristóbal Colón lived (Antonio Vilar) from their stay in the Convent of La Rabida, his meeting with the Catholic Monarchs and, above all, the great odyssey that led to cross the Atlantic and reach the shores of America (1492), thus beginning a new era in the history of mankind.

Don Mendo, Marquess of Cabra, gallant and dashing knight of medieval Castilian, is also a virtuous mandoline player and a specialist in climbing towers. But he has a bad run, all played and all lost at seven-thirty (card game), and lost his honor playing in his latest escalation of love to the apartment of his beloved and beautiful Magdalena. Don Nuño Manso de Jarama, father of Magdalena, has pledged the hand of his daughter to the Duke of Toro, and surprises Don Mendo in the room of Magdalena. To save the honor of his beloved one, Don Mendo says that no love has led him to the Tower, but he has climbed to steal. Magdalena is clean of all suspicion, and he is condemned to die buried in the castle wall. The Marquess of Moncada and other noble gentlemen, all friends of Don Mendo, facilitate his escape.

The bullfight is about to begin. On the bill are announced the toreros Ricardo Puente, Juan Carmona and Rondeño II, who will take the alternative. Puente is an old bullfighter, famous in earlier times, who, now bitter and full of resentment, lives with Paloma, a woman who is not resigned to continue being the lover of a man who has fallen into oblivion. Carmona, the fashionable bullfighter, has an important contract to fight in America, but his wife Isabel wants him to reject the offer. Anamaría, Carmona's sister, hopes that her brother will approve her relationship with Rondeño II; but Carmona opposes because he considers him a bad bullfighter. In a fourth, hopeful and exciting plot, a young amateur bullfighter has a plan to sneak into the ring and fight a bull, hoping for public acclaim for his feat of bravery.

The Gothic prince Ranimiro and his daughter Amaya have been taken prisoner by the Basques. He will be tried by the Council of Elders, while the Basque leader Íñigo, who arrested him, falls in love with his daughter Amaya, unaware that she is the current owner of the golden bracelet that symbolizes Basque tradition and that, according to legend, the man who marries her will be proclaimed king of Vasconia.