María Félix

Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.

After Caribbean despot Mariano Vargas is murdered at the hands of his enraged populace, his secretary Ramón Vázquez takes not just control but also Vargas' widow Inés, with whom he's been having an affair. Special military unit leader Alejandro Gual arrives to overthrow Vázquez by turning the people and Inés against him.

Some peasants are excited to marry their first-born with a beautiful young woman, but they are unaware of her ambitious personality. When the father-in-law finds a treasure, everything gets complicated.

A good cast smooths over the rough spots of Les Heros sont Fatigues. The scene is the African republic of Liberia, which in this film proves to be a stopping-off point for a number of shady characters. Yves Montand plays a French ex-pilot who becomes involved in a scheme to smuggle stolen diamonds. His cohorts include a Nazi collaborator, a German refugee, and the white mistress of a prominent Liberian. A romance develops between the ex-pilot and the aforementioned mistress. Meanwhile, one of the conspirators (Curt Jurgens) has a last-minute attack of conscience, effectively queering the deal. The steamier romantic passages in Les Heros sont Fatigues had to be trimmed for American consumption.

An Indian arouses envy for his expertise in hunting animals without ruining their skins, for his wisdom and his kindness.

A smuggler, condemned to be shot, is pardoned in exchange for kidnapping "La Valentina."

Documentary about the presence of Latin American culture and actors in American movies.

Independently-wealthy woman tries to break free of repressive, conservative cultural constraints.