Directing
Miguel Contreras Torres
Born September 28, 1899 · Morelia, Michoacán, México
Died June 5, 1981 · aged 81
Mexican director.
Known For
Mary Magdalene, Sinner of Magdala · 1946Mary Magdalene, Sinner of Magdala
★ 6.01946
MovieDrama
The story of Mary Magdalene from being a sinner to follow Jesus Christ.
Shadow of Pancho Villa · 1933Shadow of Pancho Villa
★ 6.01933
MovieWarDrama
A 1933 film.
Hombre o demonio · 1940Hombre o demonio
★ 5.61940
MovieDrama
A 1940 film.
Rancho de mis recuerdos · 1946Rancho de mis recuerdos
★ 6.31946
MovieWesternDrama
No te engañes corazón · 1937No te engañes corazón
★ 6.11937
MovieComedy
No te engañes corazón (released in English as Don't Fool Yourself Dear) is the first full-feature film of Cantinflas after becoming a star of the carpa circuit (folk theater). It was also one of the earliest films of Sara García and Carlos Orellana and the first where they share the screen. Don Boni (Orellana) is diagnosed with a deadly disease and decides to spend his last days doing good deeds. He leaves his wife and decides to help people. He then gets drunk and wakes up with a winning lottery ticket and realizes that the doctor who diagnosed him has been sent to prison for fraud.
Bartolo toca la flauta · 1945Bartolo toca la flauta
★ 6.01945
Movie
¡Viva la soldadera! · 1960¡Viva la soldadera!
★ 6.81960
Movie
The Black Legend of Mexican Cinema · 2016The Black Legend of Mexican Cinema
★ 6.52016
MovieDocumentary
During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.















