Virginia Wetherell

In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?

Dracula is searching for a woman who looks like his long dead wife.

When his brother disappears, a man visits the remote country house where he was last seen. While the host seems outwardly friendly and his niece more demonstrably so, there's a feeling of menace in the air with the overhanging legend of Lavinia Morley, the Black Witch of Greymarsh.

In foggy London Dr Jekyll experiments on newly deceased women determined to discover an elixir for immortal life. Success enables his spectacular transformation into the beautiful but psychotic Sister Hyde who stalks the dark alleys of Whitechapel for young, innocent, female victims, ensuring continuation of the bloodstained research. With each transformation Sister Hyde becomes the more dominant personality, determined to eventually suppress the frail, ineffectual Dr Jekyll forever.

A physician discovers that two children are being kept virtually imprisoned in their house by their father. He investigates, and discovers a web of sex, incest and satanic possession.

The TARDIS brings the Doctor, Susan, Barbara, and Ian to the planet Skaro where they meet two indigenous races — the Daleks, malicious mutant creatures encased in armoured travel machines, and the Thals, beautiful humanoids with pacifist principles. They convince the Thals of the need to fight for their own survival.

In the 1960s, British painter Francis Bacon surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, accepts. After the unique beginning to their love affair, the well-connected and volatile artist assimilates Dyer into his circle of eccentric friends, as Dyer's struggle with addiction strains their bond.

The very first crew of the TARDIS land in a petrified forest on an alien planet. Determined to explore, the Doctor leads his companions into the metal city, where they discover danger at every corner and what will become his deadliest enemy... the mutant Daleks. It's time to encounter the Daleks once again, but this time in a way you've never seen them before. Originally transmitted in December 1963 to February 1964, the seven original episodes of the first Dalek story have received a cosmic makeover, dazzlingly colourised and woven together into a 75-minute blockbuster with brand-new sound and a brand-new score created by Mark Ayres. The Daleks has been gloriously updated, whilst ensuring the original story remains as thrilling as it was in 1963.

That Kind of Girl is a British cult film and the directorial debut of Gerry O'Hara. Produced by Robert Hartford-Davis with a script by Jan Read, it was released in 1963. The film's subject is premarital sexual relationships and sexually transmitted diseases in an English 1960s millieu.

Solicitor Alan Phipps formulates a plan to blackmail his wealthy and unfaithful wife, Yvonne, and at the same time, get revenge against her boyfriend, John Brodie, by setting him up to appear that he is the blackmailer and for Yvonne to kill him.

Moon is a mercenary who joins forces with two crooked cops in an attempt to steal $90 million in gold from an Arab country decimated by political chaos. Sex, violence and mayhem accompany the group of double-crossing heavies who covet the purloined loot. A bevy of females willingly submit to seduction, and a sadistic, homosexual murderer trails Moon and his malevolent gang for the gold.

Playboy John Carter picks up a woman in a discotheque and takes her home. When she is murdered and he is framed for the crime, he finds himself drawn into a seedy underworld plot.

A henchman of Satan poses as a priest in order to get closer to young virgins he needs for human sacrifice.

Part four of a multi-part documentary series with distinguished actors, directors, writers, composers and special effects mavens examining the history of the horror, fantasy and science fiction films from the groundbreaking silent 1920s through the Golden Age of Universal, the Silver Age of Hammer and up through the 1980s and beyond. This DVD begins with the late 60's era Blacula and Splatter films; then moves on to the cinematic evolution of the 70's with The Invasion of the Body Snatchers, The Planet of the Apes, The Exorcist and the films of the great Stanley Kubrick; and then concludes with the apex of the 80's including Alien, Star Trek, The Howling and more! Collect all four chapters in the Monster Madness series and enjoy never before seen interviews and fun-filled facts about the stars, the producers and the movies that made America want to go to the theater!

A social satire in which advertisers realise that having a blind beggar as the public face of charities would help make them seem more appealing to donors. 

A tax avoidance scheme by a film producer leads to murder and the theft of £300,000.

The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

Crossroads is a British television soap opera set in a fictional motel near Birmingham, England. Created by Hazel Adair and Peter Ling, the commercial ITV network originally broadcast the series between 1964 and 1988. Produced by ATV and later by Central it became a byword for cheap production values, particularly in the 1970s and early 1980s. The series was revived in a glossier version by Carlton Television in 2001, but was again cancelled in 2003. The original theme tune was composed by Tony Hatch, and notably covered by Paul McCartney & Wings on their 1975 album Venus and Mars. A new version, which was first aired in 1987 when the series was relaunched as Crossroads, Kings Oak, was composed by Raf Ravenscroft and Max Early.

Roguish comedy drama following the misadventures of small-time crook Arthur Daley.

No Hiding Place is a British television series that was produced at Wembley Studios by Associated-Rediffusion for the ITV network between 16 September 1959 and 22 June 1967. It was the sequel to the series Murder Bag and Crime Sheet, all starring Raymond Francis as Detective Superintendent, later Detective Chief Superintendent Tom Lockhart.

The Protectors is a British television series, an action thriller created by Gerry Anderson. It was Anderson's second TV series using live actors as opposed to electronic marionettes, and also his second to be firmly set in contemporary times. It was also the only Gerry Anderson produced television series that was not of the fantasy or science fiction genres. It was produced by Lew Grade's ITC Entertainment production company. Despite not featuring marionettes or any real science fiction elements, The Protectors became one of Anderson's most popular productions, easily winning a renewal for a second season. A third season was in the planning stages when the show's major sponsor pulled out, forcing its cancellation. The Protectors first aired in 1972 and 1973, and ran to 52 episodes over two series, each 25 minutes long - making it one of the last series of this type to be produced in a half-hour format. It starred Robert Vaughn as Harry Rule, Nyree Dawn Porter as the Contessa Caroline di Contini, and Tony Anholt as Paul Buchet. Episodes often featured prominent guest actors.

The Troubleshooters is a British television series made by the BBC between 1965 and 1972, created by John Elliot. During its run, the series made the transition from black and white to colour transmissions. The series was based around an international oil company – the "Mogul" of the title. The first series was mostly concerned with the internal politics within the Mogul organisation, with episodes revolving around industrial espionage, internal fraud and negligence almost leading to an accident on a North Sea oil rig.

Notable as the first British series to feature a female police officer (predating Juliet Bravo by four months), Detective Inspector Maggie Forbes raises her teenage son while navigating a male-dominated police force following the murder of her police commissioner husband.

The Edgar Wallace Mysteries was a British second-feature film series, produced at Merton Park Studios for Anglo-Amalgamated. There were 46 films in the series, made between 1960 and 1965. The films were loose adaptations of Edgar Wallace's books and stories. Very few used his original titles, and there was no attempt to set them in the period in which Wallace wrote, probably to obviate the need for elaborate costumes and sets. A 1962 article in Scene magazine quotes £22,000 as the budget for an episode then in production.

Paul Temple is a British-German television series . It features Francis Matthews as Paul Temple, the fictional detective created by Francis Durbridge, who solves crimes with the assistance of his wife Steve. Paul Temple used overseas locations in France, Malta, Germany and elsewhere.

A BBC anthology series featuring adaptations of detective stories over 45 episodes in three seasons that ran from 1964 to 1969. As with many BBC programmes made before the early 1970s, many of its episodes no longer exist. Of the eighteen episodes from the first season only twelve are currently known to exist; likewise six of the sixteen editions from the second run are considered lost, and just one of the final ten survives in the archives.

The Man in Room 17 is a British television series which ran for two seasons in the mid-1960s, produced by the Northern ITV franchise, Granada Television. Key to the series' success was the involvement of writer/producer Robin Chapman. The show was set in Room 17 of the Department of Social Research, where former wartime agent-turned-criminologist Edwin Oldenshaw solved difficult police cases through theory and discussions with his assistants. The novelty of the series was that Oldenshaw and his colleagues never needed to leave their office in order to resolve cases, preferring to spend their time playing the Japanese board game of Go. They simply provided their prognosis and left the police to do the cleaning up. Different directors were often appointed to film the Room 17 and outside-world scenes independently, to maintain a sense of distance between the two worlds.

Retirement has given Mr Rose the time not only to cultivate a cottage garden in Eastbourne but also to write his memoirs. And it’s the impending publication of those memoirs that brings a number of figures crawling out of the woodwork and back into his life: criminals and former colleagues alike, who know that his vast personal library of case files holds a wealth of incriminating detail.