Julian D'Albie

When the Earl of Gurney dies in a cross-dressing accident, his schizophrenic son, Jack, inherits the Gurney estate. Jack is not the average nobleman; he sings and dances across the estate and thinks he is Jesus reincarnated. Believing that Jack is mentally unfit to own the estate, the Gurney family plots to steal Jack's inheritance. As their outrageous schemes fail, the family strives to cure Jack of his bizarre behavior, with disastrous results.

London nightclub buddies Salt and Pepper link Pepper's dead twin to diamond smugglers.

Agnes "Astra" Huston, a fortune teller at a run-down fair, is found strangled in her bedroom. As the police question five suspects, their interactions with her are shown in flashbacks from their point of view.

Based on the Reginald Berkeley stage play, this compelling historical drama offers a depiction of the life story of Florence Nightingale, the young 19th-century Englishwoman famously drawn to a career in nursing. Traveling to Turkey during the Crimean War, Florence gains a reputation for being devoted to the care of wounded soldiers and for pioneering higher standards for sanitary hospital conditions.

Because of its high productivity and "almost" 100 per cent employment, the town of Hayhoe, England is expecting a visit from the Prime Minister. The "almost" is because of Dan Dance (Eddie Byrne), an old rogue who would rather drink and philosophize than work. The Village Council are determined to have a perfect record so they connive to have the old man put into the alms-house which has been unoccupied for many years, where he must abide by rules laid down 400 years ago. A new Vicar arrives and discovers that, because of the circumstances created by the Council, Dan Dance is entitled to 6,000 pounds a year at the expense of the village.

A mill-owner's ambitious daughter almost ruins her husband's political career.

Betsy Richards, a hard-working widow, tries to solve the domestic problems of her three grown-up sons.

A prison governor deals with a variety of different prisoners, including a charming murderer.

During WWII, a dashing British RAF Officer is earmarked for a secret mission behind enemy lines in occupied France, but wishing to distract the enemy, enlists a person to double for him and thereby draw attention to North Africa. An unlikely airman is found and tutored in the ways of an English officer.

A young scientist freed by divorce from a nagging wife, isolates himself from women. His peace is broken by a lovely young girl to whom he is forced to give shelter. He marries her and finds that his dumb wife is not so dumb.

On a journey from Paris to London, a Briton, a Frenchman and an American bond with each other and indulge in a romantic fantasy about a girl they see.

The Forsyte Saga is a 1967 BBC television adaptation of John Galsworthy's series of The Forsyte Saga novels, and its sequel trilogy A Modern Comedy. The series follows the fortunes of the upper middle class Forsyte family, and stars Eric Porter as Soames, Kenneth More as Young Jolyon and Nyree Dawn Porter as Irene. It was adapted for television and produced by Donald Wilson and was originally shown in twenty-six episodes on Saturday evenings between 7 January and 1 July 1967 on BBC2, at a time when only a small proportion of the population had television sets able to receive this channel. It was therefore the repeat on Sunday evenings on BBC1 starting on 8 September 1968 that secured the programme's success with 18 million tuning in for the final episode in 1969. It was shown in the United States on public television and broadcast all over the world, and became the first BBC television series to be sold to the Soviet Union.

Public Eye is a British television drama broadcast from 1965 to 1975 on ITV1. Produced by ABC Television for three series, and Thames Television for a further four, the programme follows the investigations and cases handled by the unglamourous enquiry agent Frank Marker.

An anthology series produced by Thames Television, comprised of short mystery, suspense or crime adaptations featuring, as the title suggests, detectives who were literary contemporaries of Arthur Conan Doyle's Sherlock Holmes.

Van der Valk is a British television series that was produced by Thames Television for the ITV network. It starred Barry Foster in the title role as Dutch detective Commissaris "Piet" van der Valk. Based on the characters and atmosphere of the novels of Nicolas Freeling, the first series was shown in 1972.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

A BBC television series of forty-five-minute excerpts from stage plays running in London.

The Caesars is a British television series produced by Granada Television for the ITV network in 1968. Made in black-and-white and written and produced by Philip Mackie, it covered similar dramatic territory to the later BBC adaptation of I, Claudius, dealing with the lives of the early emperors of Ancient Rome, but differed in its less sensationalist depictions of historical characters and their motives.

Patricia Routledge gives a career-best performance as Queen Victoria in this 1964 series of plays based on the celebrated collection of dramas by playwright Laurence Housman. Self-willed, obstinate, imperious and passionate... a now-familiar description of one of history's longest-serving female monarchs – but Housman's satirical tribute marked a decisive break with the tradition of the uncritical historical portrait. A Broadway hit deemed too disrespectful for public performance in Britain until the late 1930s, Victoria Regina is a frank portrayal of an extraordinarily complex woman, tracing her development from royal teenager to inconsolable widow at the helm of a vast empire, with all her contradictions, prejudices and unconstitutional behavior.