Tony Cicchetti

A warrior king has swordfights with ugly savages that crouch around the forest and snarl a lot. An evil bad guy, bent on doing evil things, kills his wife and flees to modern day Los Angeles. The warrior chases after him to avenge his wife's death.

Judge Rhinehole orders the Sunny Buttocks Nudist Camp closed down as an affront to the community. Its members enter into a suicide pact, but vow to return for vengeance. Five years later, a group of Christian campers on a retreat argue religion and perform outrageous production numbers as the group begins experiencing an attrition problem.

Sisters from the planet Vulkaria teleport themselves to Earth to investigate and report back in order to prove to their mother, the planet's ruler, that they are worth of becoming Queen.

Fast-food mogul Harry Buford serves up the best barbecued bunny sandwiches, and the hottest waitresses, in town. His only son, Jeeter, will inherit the empire only if he can overcome his life-long fear of women. When Buford offers $100,000 to the first of his sexy employees who can turn shy-guy Jeeter into a red-blooded he-man, the summer heat sizzles as Amber, Boopsie and Lauren pour on the charm in their efforts to win Jeeter's heart.

A skeptical journalist is assigned to chronicle the 50th anniversary of Kris Kringle, a Santa Claus in the town of Mistletoe. As her involvement in the town grows, she begins to open up to the enchantment of Christmas and some other wonders of the season.

The God Complex is an irreverent, ultra‑low‑budget biblical satire that deliberately mocks well‑known stories from the Bible, turning God and key figures into broad comic caricatures. Rather than treating Scripture with any reverence, the film uses parody, crude humor, and exaggerated “logical” twists specifically to ridicule Christian beliefs and present the Bible’s narratives as silly and absurd.

Colombian Drug Lord Mannel Ramirez is lured to Los Angles to retrieve his millions in Blood Money after the chance death of his brother. Jeff Rollins, who is a DEA agent, is alerted to Ramirez' arrival by his partner Harold McBain. Ramirez is tough and smells a double-cross. A trail of death follows Ramirez after he arrives in L.A. The last man in his way is Jeff, who he quickly stabs. But is it safe for Ramirez to get his money from a bank vault that only he can open? Jeff Rollins, left for dead, reaches his younger brother Campbell before he dies, Campbell, a college senior, and his girlfriend Jessica, are now involved. Campbell, an unlikely hero, is now caught in a double intrigue and must avenge his brother's death. He is willing to stop Ramirez at any cost.`

The series follows the ventures of a Missing Persons Unit of the FBI in New York City.

In the near future a family must make difficult decisions as they balance staying together with trying to survive. They live in Los Angeles, which has been occupied by a force of outside intruders. While some people have chosen to collaborate with the authorities and benefit from the new order, others have rebelled — and suffer the consequences.

Tim and Eric Awesome Show, Great Job! is an American sketch comedy television series, created by and starring Tim Heidecker and Eric Wareheim, which premiered February 11, 2007 on Cartoon Network's Adult Swim comedy block and ran until May 2010. The program features surrealistic and often satirical humor, public-access television–style musical acts, bizarre faux-commercials, and editing and special effects chosen to make the show appear camp. The program featured a wide range of actors, spanning from stars such as Will Ferrell, John C. Reilly, David Cross, Bob Odenkirk, Will Forte and Zach Galifianakis, to alternative comedians like Neil Hamburger, to television actors like Alan Thicke, celebrity look-alikes and impressionists. The creators of the show have described it as "the nightmare version of television."

Revisits heart-pounding cases of deception that ended in murder at the hands of a trusted family member, co-worker, lover, or friend. Told through the lens of the fictionalized, first-person perspectives of the victims, the viewer is treated like the only confidant they have left.