Graciela Dufau

A married woman with a traumatic past embarks on an affair with a younger married man.

Set amidst a backdrop of political unrest and oppression in Argentina following the coup of the late 1980s, this impressive drama dwells upon a May-December love affair between a boy and a woman suspected of political subversion. When seventeen-year-old Pedro defiantly befriends political fugitive Sofia and provides her shelter, he creates a deep rift between himself, his family and his friends. Sofia is hunted because she was at one time in love with a Communist sympathizer. At first the relationship is purely platonic as Pedro helps her recover from a 23-day long flight that has left Sofia weak and starving for sleep. But as time passes, Pedro becomes increasingly involved with her and his schoolwork begins to suffer. Gradually he falls in love with her and she with him. But as the political situation grows more oppressive and the government steps up its search for subversives, the two begin making desperate plans to flee the country.

A portrait of frivolous youth. Unfortunate events force a group of club-hopping young men and women to face reality and reevaluate their lifestyle.

A young man enters an institute for the mentally ill and falls in love with a patient from whom he will distance himself after her rehabilitation.

A small revolution breaks out in a small Argentine town, as one group of Peronists calls they newly elected peronist a communist. The newly elected official enlists the aid of allies ranging from the town drunk to young peronists to help hold his post. What follows is a slapstick war with a serious message.

Three stories based on tales of the book by Manuel Mujica Lainez, ("El hambre", "La pulsera de cascabeles" y "El salón dorado".).) On scripts for the directors themselves and the collaboration of Ernesto Schoo.

A man becomes convinced that he is being persecuted by a conspiracy of blind people.