Patsy Ruth Miller

A documentary film about dancing on the screen, from its origins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s, 50s, and 60s, up to the break dance and music videos from the 80s.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

About Omar Khayyam of Persia, the poet and mathematician, who wrote the Iranian first solar calendar circa A.D. 1073. His fiancé was forced to marry the shah, but she eventually escaped and, with help of grand Vazir, joined Omar Khayyam. Hollywood made a film based on the same story with Connell Wilde, the life and adventures of Omar Khayyam.

The transition from horses to automobiles at the turn of the century causes problems between a father and son.

A young couple finds themselves mixed up with mobsters planning to rob a warehouse.

Story of a revolt against England in 1830s Canada.

A home movie version of the Dumas play. A young woman becomes a courtesan and tragedy befalls her. Appearances are made by many socialites of 1920s Paris and New York.

After discovering that her lover is already married, a young woman gets engaged to another man. However, her attempts to recover embarrassing love letters from her former lover lead to her being accused of murder when he is found dead.

Returning from service in the A. E. F., Dale Garland is given a rousing reception by his townsmen. County political boss Nebo Slayter persuades the community to nominate Dale for sheriff--thinking he can be easily manipulated--against John Millard, the incumbent, who refuses political compromises. Dale easily wins and pledges to give the citizens an honest deal. Millard's daughter, Alice, who is Dale's childhood sweetheart, learns of Slayter's dishonest schemes and sees his men murder a moonshiner for whom they had been furnishing protection.

Brooks, a publisher and his publicist decide to boost the sales of a wartime book of flying experiences. They credit the book to popular author Robert Street, who is completely ignorant about aviation. Robert gets into all sorts of trouble in attempting to carry on the ruse, saving his friend's business but also attracting the attention of aviation-mad Grace Douglas. At first, he is able to carry out simple publicity events, but when he accidentally starts up an aircraft, his incredible aerobatics end with a landing in a haystack. When a race is staged between him and French ace Major Jules Gaillard, it ends with Robert confessing he is no pilot, but still winning Grace's heart. Considered a lost film.

Glenn Higgins and Patsy Jones are a song-and-dance team traveling the vaudeville circuit across the United States, and land in a Kentucky tank-town filled with sharpies and wise-guys , wearing spats and carrying canes, who have reasons for wanting a horse named "Hot Heels, not to win the race he is scheduled to run in. This does not bode well for the vaudevillians as Glenn, acting on a hot tip from a hot vamp, has bet the pair's bankroll on "Hot Heels" to win.

Paul and Suzanne Giraud are happily married and living in a quiet neighborhood. When Suzanne notices that their new neighbors are expressive dancers in revealing outfits, she demands Paul speak to them about their lack of morality. Paul discovers that the woman is Georgette Lalle, an old flame.

A young couple's future is put in jeopardy by both the past and present actions of their parents.

Robert Kincairn, the dissolute son of a British colonel, is gallant enough to take the blame for a robbery perpetrated by his fiancee Enid. Thrown out of his home, he changes his name and joins the army.

Isadore "Izzy" Goldberg changes his name to I. Patrick Murphy because his store is in an Irish-neighborhood in New York City. He meets Eileen Cohannigan, the daughter of a meat-packer, and he tells her he is Irish and a romance begins. When America enters World War I, "Izzy" enlists, is sent to France, and is wounded while engaged in a heroic rescue during a big battle. While recovering in an overseas hospital, he writes Eileen and tells her he is Jewish and not Irish. Returning home, he is parading with his regiment and he sees Eileen with Robert O'Malley, his old rival. He thinks she has thrown him over because he is Jewish. An Irish lodge comes to bestow an honor on the man they think is Patrick Murphy, an Irish hero. But O'Malley tells them his real name is Goldberg. But Eileen tels him it is he she loves, and they head for the marriage-license bureau.

Patsy Ruth Miller stars as the romantic bone of contention between pearl divers Malcolm McGregor and Wallace MacDonald. When McGregor's brother is murdered, Miller is arrested for the crime. The actual killer, however, is MacDonald, who does an expert job covering his tracks.

"Clean-Up" Sudden is a drifter restoring law and order to a small farming community run by a corrupt sheriff in this silent Western.

When rich Jack Talbot falls in love with not-rich Rose Kirby, he doesn't marry her, fearing his mother's disapproval. Rose later marries Clyde Bainbridge, a rotter who knows that under the terms of a secret contract, Rose will inherit the Talbot iron-works. Rose finds the contract but, mistrusting her husband, does not make use of it.

We Americans was based on the Broadway play of the same name. Returning to the "melting pot" themes that he handled so well, director Edward H. Sloman concentrates on the trials and tribulations of three first-generation American families: The Jewish Levines, the German Schmidts and the Italian Albertinis.

Janet Brady, a stenographer, wants the love of her boss. She learns her personality has no appeal, so she drops her mannish clothes and blossoms forth as a simpering flapper. She develops sex appeal plus and though her boss is nonplussed for a time she wins him in the end.

When Charles Hale is visiting his mistress, Sybil Russell, he is shot in the arm by Sybil's estranged and outraged husband. Hale's daughter, Marjorie, is so shocked to discover in this abrupt fashion her father's philandering that she leaves her wealthy home and goes to the slums to do settlement work. Marjorie, who is engaged to the district attorney, is there placed in a compromising position by her father's assailant, who intends to revenge himself upon the entire Hale family.

Victor Stowell, son of the deemster of the Isle of Man, is engaged to Fenella Stanley. He becomes involved in an intrigue with local girl Bessie Collister, becomes the deemster on his father's death, and is forced to try Bessie for killing her illegitimate child.