Ivan Maximov

An old man named Zivojin Markovic, living in a remote village prays for his grandson Cane to go to the city, sell his cow and bring back a wife. In the city he is supposed to meet up with his grandfather's stepbrother, but this man is dead. Instead, he meets this man's two grandsons, two good-natured brothers who are nevertheless small-time criminals and experts in demolition. Cane soon clicks with these men, and also falls in love with a schoolgirl (Jasna), who he wants to marry as part of his testament with his grandfather. He gets involved in this girl's family affairs, rescuing both her and her mother from prostitution and gangsters headed by a man called Bajo, and the new group of people return to the small village in time to celebrate Zivojin's wedding to his neighbor, despite the gangsters' best efforts to stop the celebration, which results in a double wedding.

The film is about the behavior of people in a state of boring expectation.

Sometimes something seems annoyingly unacceptable and the circumstances do not develop in the best way.

Morning outflow and evening inflow of the sea change a tide of life of the coastal small town.

Short animations from renouned authors dedicated to man-woman relationships.

Hooligan manipulations with paintings by the artist Alexander Wojciechowski.

A Monster suffers from boredom and loneliness, by chance he gets out of his cave and after walking through the maze arrives somewhere. There are only silly white bunnies. He is frustrated and comes back down. Finds another way, and sees some mad chickens with trunks.

What is the philosophical meaning of the film? The moon falls into a meat grinder, whimsical, but typically Maximovian creatures, entering or not entering into some kind of relationship, are formed from moon stuffing, and eventually, after many transformations, the dog turns out to be patiently waiting for this on the "other edge" of the screen, gets a bone.