Jim O'Rourke

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

Follows the story of "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in his attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

A French corporation goes head-to-head with an American web media company for the rights to a 3-D manga pornography studio, resulting in a power struggle that culminates in violence and espionage.

Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.

In rural Japan, the survivors of a tragedy converge and attempt to overcome their damaged selves, all while a serial killer is on the loose.

A Japanese man and his Chinese-American wife struggle with work, parenting, and caregiving in NYC. Their strained life spirals when their son is kidnapped, leading to murder. Unspoken truths and secrets surface, deepening their rift. Can they rebuild their shattered vision of a "happy family"?

As a young child, Hana loses her family to a devastating tsunami that wipes out her town. At a shelter, distant relative Jungo sees her wandering and adopts her as his daughter.

A poem about grief and the artificial, a copy of a copy of a copy, a therapeutic slow cinema meditation on solitude and the psychoanalytic and healing aspects of karaoke and all it implies, its emotional mechanics, modern art as endless duplication, the Real within the “false”. A love letter to Japan, channelling Marker and Benning into a spiritual reimagining of a Totoro hunt, a Shinto funeral rite for ghosts caught between worlds, and ideally, an antidote to Matsumoto's Atman. Featuring the Steamroom compositions of Jim O’Rourke.