Pilar Souza

Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".

Analytical view of one of the least reported conflicts of national cinema: the Cristero movement that developed in the regions of western Mexico between 1926 and 1929, highlighting the inability to be faithful to both the Church and the State.

Mexican feature film

Mexico is in the midst of Revolution when the protagonist returns after studying in Paris to find his native town in Chihuahua occupied by Francisco Villa’s revolutionary forces. He visits his deserted home and remembers people and events from his adolescence that provide glimpses of pre-Revolutionary society under dictatorship: his uncle, the chief of police; his sister’s involvement with a liberal political association; bathing with the girls from a local brothel; a labor strike that ended in a massacre. Returning to the present he discovers that his father has been assassinated and, in the company of his father’s former servant, joins the revolutionary movement.

A group of young people makes a plan to escape from the problems of their neighborhood.

Subjugated by power, the workers of a mining town organize clandestinely.

Marcela, a former film star, seeks tranquility in the suburbs after marrying a wealthy industrialist. Her past haunts her with admirers and daily violence. Overwhelmed by a distant husband, a demanding child, critical in-laws, and loneliness, she escapes to an imaginary world to avoid the grim and the ugly.

The traumatic story of an old bourgueoise in Mexico City, his relationship with his crazy grandmother, his sexually troubled past and his sick crush on the young and beautiful maid of the house.