Nancy Buirski

In 1958, in the state of Virginia, the idea of interracial marriage was not only considered to be immoral to many, it was also illegal. When Richard and Mildred fall in love, they are aware of the eyes staring at them and the words said behind their backs. It's when they get married, however, that words and looks become actions, and the two are arrested. The couple decide to take their case all of the way to the Supreme Court in order to fight for their love. Based on a true story.

This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.

This documentary film tells the dramatic story of Richard and Mildred Loving, an interracial couple living in Virginia in the 1950s, and their landmark Supreme Court Case, Loving v. Virginia, that changed history.

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

A Crime on the Bayou is the story of Gary Duncan, a Black teenager from Plaquemines Parish, a swampy strip of land south of New Orleans. In 1966, Duncan tries to break up an argument between white and Black teenagers outside a newly integrated school. He gently lays his hand on a white boy’s arm. The boy recoils like a snake. That night, police burst into Duncan’s trailer and arrest him for assault on a minor. A young Jewish attorney, Richard Sobol, leaves his prestigious D.C. firm to volunteer in New Orleans. With his help, Duncan bravely stands up to a racist legal system powered by a white supremacist boss to challenge his unfair arrest. Their fight goes all the way to the U.S. Supreme Court, and their lifelong friendship is forged.

An analysis of director Sidney Lumet's work (12 Angry Men, Dog Day Afternoon, Before The Devil Knows You're Dead) in his own words, based on a five-day interview recorded shortly before his death.

Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.

Althea Gibson’s life and achievements transcend sports. A truant from the rough streets of Harlem, Althea emerged as a most unlikely queen of the highly segregated tennis world in the 1950s. Her roots as a sharecropper’s daughter, her family’s migration north to Harlem in the 1930s, mentoring from Sugar Ray Robinson, David Dinkins and others, and fame that thrust her unwillingly into the glare of the early Civil Rights movement, all bring her story into a much broader realm of the American story.