Aaron Orr

Questions about the identity of an amnesiac threaten his romance with the park ranger who rescued him.

Beginning at the industrial revolution of the ‘great north’, Jenn Nkiru draws lines between peoples, cities, countries, buildings, movements, bodies and spaces(s) using a mixture of archive materials and new footage. There is little stillness as we are pushed and pulled through Black histories and communities across the city of Manchester and beyond. Nkiru has termed this filmmaking process “cosmic archeology”, and it is grounded in Afro-surrealism, experimental film and the Black arts movement.

The DNA samples Lucy needs to finish her thesis don't arrive, so she's stuck - unless she can find a DVA sample from a 100-year-old Chinese corpse. She persuades her flatmates to visit the local cemetery to dig up a Chinese corpse. Unfortunately, it turns out to be a hopping Chinese Vampire