Alexia Stresi

Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made.

A son finds an escape from his turbulent marriage with his slightly dysfunctional and quirky parents who are hiding a young boy from the authorities.

Mutual attraction leads two married couples to swap bedtime partners.

Passionate about the singer Elvis Costello, Ulysses works every Saturday at a gas station in the middle of nowhere to pay for his meteorology studies. Shy and suffering from stagnation when confronted with a conflict situation, he does not respond to the insistent advances of Marie, who lives across the street. At the same time, Anton and Mirek, two English gangsters, are combing all the gas stations in the area in search of a loot hidden in the toilets.

A group of artists, composed of the young actors Wilfried and Matthieu and the actresses Sophie, Mathilde and the dumb Jeanne, is hired by a millionaire, Axel de Fersen, to present a performance of Little Red Riding Hood in his isolated castle to celebrate the birthday of his grandson. Meanwhile, the police advises that a serial killer is raping and killing young women in the woods around that area. During the night, the group feels trapped and threatened in the castle, guessing who is and where might be the killer.

France, 1950s. From the Quartier Latin to Saint-Tropez via New York, a young Parisienne becomes the icon of a whole generation. In 1954, 19-year-old Francoise Sagan shot to fame with her first novel, Bonjour Tristesse. Flamboyant, scandalous and underrated, Sagan lived her life at the furthest edge of excess. She won and lost fortunes at the roulette table, bought and crashed superb sports cars, drank, danced and partied, leaving a trail of lovers in her wake.

Student Eric kills time by spying on his neighbors. Compulsively taking notes on everything within binocular range from his bedroom window, he harasses his neighbors by sending unsigned notes and making their private affairs public. When they discover his identity and draw him in, will this release him from his solitude, or confirm in his mind that he will always be the outsider?

After a drug deal gone wrong, Bédé goes into hiding in the countryside at a reformative school for criminal youth. His location is found out, and he and the pupils have to protect themselves with whatever means they have.