Pascale Ogier

A disc jockey, a pimp and an Italian tourist escape from jail in New Orleans.

Geneviève Hervé created her first video-painting with the first electronic portraits of her muse Pascale Ogier, and it was broadcasted in a 'Houba Houba' section of the French TV show 'Les Enfants du rock' (January 1982)

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

Naive villagers find themselves duped by a pair of con artists who sweep into town proclaiming themselves "Holy Father" and "Holy Mother." Soon the pair of cons are making out like the bandits that they are, as the villagers hand over their money and their lands.

Feeling suffocated by a possessive boyfriend, work and suburban life, a young woman starts spending the weekends in her Paris apartment in order to reclaim some of her lost freedom.

The film chronicles Perceval's knighthood, maturation and eventual peerage amongst the Knights of the Round Table, and also contains brief episodes from the story of Gawain and the crucifixion of Christ.

A young girl from the provinces, comes to Paris with one goal: to become a part of the rich bourgeoisie. To achieve this she will use her unique beauty and charm.

A series of stories told by Rosette about her vacation. Filmed in super 8 by Eric Rohmer.

Jean-Jacques Lestrade is the owner of a renowned veterinary clinic in Paris who lives in a luxurious apartment. He is part of Parisian high society and lives a wealthy lifestyle surrounded by young women and money. He relies on his trusty accountant, Jérôme Bouvier, to manage his finances. All goes well until the day that Béatrice Flamand, a tax inspector, shows up at his clinic, at which point Lestrade is now in trouble.

Marie is just out from prison when she runs into Baptiste, a young paranoid needing companionship. In their pursuit of a mysterious briefcase carried by Marie's former lover, they roam the street of Paris, transformed into a giant board game, a maze spotted with mysterious traps, puzzling clues, and chance encounters. Maybe they are bricks in some sinister scheme, maybe they are playing a board game, maybe it's a fairy tale, maybe it's yet something else...

Essay on the history of Los Angeles

Paulina leaves the apartment where she lives with her two brothers, Nicolas and Olivier. Her departure is mark by chaotic and sometimes brutal confrontations. Thrust into a world of madness and violence (or is it gaslighting?), Paulina is shuttled from a psychiatric institution to a brothel, while her brothers become resistance fighters in some enigmatic version of France.

Agnes leaves school and moves with a friend to a housing project in Bagnolet. Engaged as a clerk, she becomes associate staff after the dismissal of a colleague.

A famous director wants to make a film about true love, the kind his grandparents experienced when they lived together for 60 years. For this project, he holds auditions in a commercial real estate office. He asks the actors and actresses he meets to tell him about their conception of Love, with results that differ from those he expected...

Before Le Pont du Nord Rivette films Paris s'en va, a short film of approximately 25 minutes. He works with the same actors and the same technical team on both films. Henry Chapier who produced the short: "At the beginning of the '80s nobody was interested in Rivette's highly imaginative project Le Pont du Nord. Therefore Rivette came up with a kind of 'transposition' of the themes of Le Pont du Nord in the shape of Paris s'en va. Just like a painter in the Renaissance who does a sketch for a future project."

In the apartment of Benjamin Baltimore, cinema poster designer, we discover the universe of the early 80's in Paris.

In the Middle Ages, the earl Wetter von Stahl is accused of having bewitched Catherine, the daughter of the blacksmith of Heilbronn. The earl tries to be exonerated by proceeding himself to the interrogation of the young woman, who apparently shows an "unnatural possession".