Jill Dixon

The sinking of the Titanic is presented in a highly realistic fashion in this tense British drama. The disaster is portrayed largely from the perspective of the ocean liner's second officer, Charles Lightoller. Despite numerous warnings about ice, the ship sails on, with Capt. Edward John Smith keeping it going at a steady clip. When the doomed vessel finally hits an iceberg, the crew and passengers discover that they lack enough lifeboats, and tragedy follows.

Stanley Baker's O'Donovan is sent to steal the plans of a rival company's racing car designs, to ensure his employers win the competition. However, when opening a safe containing the plans, he triggers an alarm leading to a gun battle where he kills a number of people. James Robertson Justice, alarmed by the scandal surrounding the killings, orders his agent be killed surreptitiously to hide his involvement with the plot. The film uses original footage from the Mille Miglia , an Italian open-road endurance race, featuring classic period racing cars.

Norman works in a jewellers workshop and fantasises (in the nicest way) about meeting the window dresser across the road from his workshop. He wants to buy her a diamond pendant but calculates it will take him over 100 years to save up for it. He is talked into betting a pound on a six horse accumulator at the Goodwood races with a slightly shady bookmaker. When he has won on the first five races, the bookie owes him over 16,000 pounds and everyone begins to worry. Everyone's future depends on a single race ... what can be done ?

When her grave is disturbed by modern-day land developers, a 300-year-old witch is accidentally resurrected and terrorizes an English village.

One day in the lives and loves of the staff in a large department store.

A beautiful redhead becomes involved with a group of small-time hoodlums who plan and perform a daring diamond robbery.

After returning home to a rugged island near Nova Scotia, Joanna, daughter of the local bigwig, struggles to choose between three eligible bachelors -- the rebel, the steadfast friend and the poetry-quoting newcomer. As the local lobster supply dwindles due to overfishing, the island's inhabitants encounter economic difficulties.

Norman is a window cleaner who has to clean a manor house with hundreds of windows. He is distracted by the son of the house who persuades him to go into town. When some villains try and kidnap the young heir Norman fights them off but the heir has banged his head and can't remember Norman's heroic stand

Abridged movie version of the 1974 British TV series concerning the whereabouts of Al Capone's illegal gains, garnered during the Prohibition era.

Children's drama series following the lives of students and teachers at Grange Hill comprehensive school.

The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

Compelling crime anthology looks at some of Britain's most notorious murder trials, in which both male and female defendants stood accused of the murder of women. Presented by Robert Morley, seven hour-long dramas reconstruct sensational trials which shocked Britain, offering in-depth analyses of individuals' motives and methods.

The Man in Room 17 is a British television series which ran for two seasons in the mid-1960s, produced by the Northern ITV franchise, Granada Television. Key to the series' success was the involvement of writer/producer Robin Chapman. The show was set in Room 17 of the Department of Social Research, where former wartime agent-turned-criminologist Edwin Oldenshaw solved difficult police cases through theory and discussions with his assistants. The novelty of the series was that Oldenshaw and his colleagues never needed to leave their office in order to resolve cases, preferring to spend their time playing the Japanese board game of Go. They simply provided their prognosis and left the police to do the cleaning up. Different directors were often appointed to film the Room 17 and outside-world scenes independently, to maintain a sense of distance between the two worlds.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

A nine-part serial adaptation featuring dramatisations of three of William Shakespeare's iconic plays: Coriolanus, Julius Caesar, and Antony & Cleopatra.

Persuasion is a 1960 British television miniseries adaptation of the Jane Austen novel of the same name. Produced by the BBC and directed by Campbell Logan, Daphne Slater stars as Anne Elliot, and Paul Daneman as Captain Frederick Wentworth. Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth – the dashing one she once sent away – crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.