Paulo Soria

A group of people must fight for their lives when a bizarre epidemic starts a zombie invasion.

Short film written and directed by Hernán Sáez in 1999.

Gore short film directed by Hernán Sáez and starring Paulo Soria from FARSA Producciones.

An invasion alien threatens the fate of humanity and begins in a village where there are Bill Johnson, John West and Max Giggs. The friends escape from there with the purpose of finding and destroying the invading ship before it completes its evil plan of conquest.

A classic short from FARSA Producciones.

Province of Buenos Aires, Argentina, 2101. The world has been ravaged by a biological warfare. A man wakes up in the desert, unable to remember anything of his previous life.

A group of friends enters an abandoned house, not knowing what will happen when they find an altar.

A small town is the subject of some experiment with aliens where they were allowed to test some earth folks with some kind of disease, but of course it spread with disastrous results. And now, three oddballs have been dumped into the middle of this town as test subjects or something, and the race for survival is on. John West is a strongman, with a cowboy hat and leopard skin tights, Bill is a medical student, and Max is a mathematical genius, and it's them against the zombies.

In the urban jungle of Buenos Aires, Cichonga is the toughest badass around, until his nemesis steals his beer, the secret to his might and superhuman strength. Cichonga will have to pummel his way through to recover what is his.

Short film directed by Hernán Sáez and starring Paulo Soria from FARSA Producciones.

In a popular auction that matches the sinister and colorful of a circus of phenomena, a couple adopts children in exchange for their belongings. The children there acquired, usually mutilated, are in their new home in order to prepare for access to the Peronist education program taught in only 10 state institutes.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

A massacre tinted Cascallares with blood and time covered the events with a cloak of silence. Ten years later, a group returns to the place to investigate. They will soon turn into corpses one by one. History repeats itself.

A group of revolutionaries in the Neo-Mendoza of 2037 undertakes a dangerous journey through the Andes mountain range to save the last Artificial Intelligence on the planet.

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

A retired general and his son meet six crazy young men while on a fishing trip.

Lucas and a group of friends decide to make a Sci-Fi movie without knowing that they live in a world where that is forbidden. They become the only hope of rebellion, the only hope to bring down a decaying empire and generate a new revolution that awakens the sleeping people.

Short film directed by Juan Bautista Dartiguelongue, action choreographer of the PLAGA ZOMBIE saga, FILMATRON and other films by FARSA Producciones.

Through archive footage and images as well as interviews, the movie paints the portrait of a legendary trans womens' rights activist in Argentina. Like a family album to flip through, the narrative charts the ties solidarity and mutual aid create between people of the LGBTQI+ community and the long road to make the personal political, during the brutal 1980s in latin America.

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”