Patricia Cutts

Acting

Patricia Cutts

Born July 20, 1926 · London, England, UK

Died September 6, 1974 · aged 48

Patricia Cutts (20 July 1926 – 6 September 1974) was an English film and television actress. She was the first person to portray the character of Blanche Hunt in the ITV soap opera Coronation Street. It would have been her most high-profile regular role to date but after appearing in only two episodes, Cutts was found dead at her flat in Chelsea, London, aged 48. An inquest into her death produced…

Known For

North by NorthwestNorth by Northwest · 1959
North by Northwest
8.01959
MovieThrillerAdventure
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
The TinglerThe Tingler · 1959
The Tingler
6.41959
MovieHorrorScience Fiction
A pathologist experiments with a deaf-mute woman who is unable to scream to prove that humans die of fright due to an organism he names The Tingler that lives within each person on the spinal cord and is suppressed only when people scream when scared.
I Was a Male War BrideI Was a Male War Bride · 1949
I Was a Male War Bride
6.91949
MovieComedyRomance
After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
The Long Dark HallThe Long Dark Hall · 1951
The Long Dark Hall
6.71951
MovieCrimeDrama
A devoted family man tries to help a beautiful alcoholic showgirl with her life, and becomes the the only suspect when someone else murders her.
Merry AndrewMerry Andrew · 1958
Merry Andrew
6.01958
MovieComedyMusic
When eccentric English teacher Andrew Larabee needs a raise in order for his fiancée to marry him, his interest in archaeology leads him to an ancient statue's burial site. But when he finds a traveling circus directly above the statue's location, he accidentally becomes part of the act. With a newfound passion for performance and an attraction to the beautiful acrobat Selena, Andrew must decide what is truly important to him.
Battle of the Coral SeaBattle of the Coral Sea · 1959
Battle of the Coral Sea
5.81959
MovieWarDrama
A US submarine and its crew are captured by the Japanese on the eve of a major WWII battle.
Private RoadPrivate Road · 1971
Private Road
6.11971
MovieDrama
Receptionist Anne’s new relationship with nascent writer Peter is opening her eyes to a new lifestyle, one far removed from her comfortable middle-class background.
Those People Next DoorThose People Next Door · 1953
Those People Next Door
5.81953
MovieComedy
The Twiggs are a typical working-class family: Sam (Jack Warner) and Mary (Marjorie Rhodes) are trying to bring their family up in the shadow of the Blitz whilst taking everything in good humour. Their neighbours Joe (Charles Victor) and Emma (Gladys Henson) are constantly in the Twiggs house, borrowing a cup of sugar or using their Anderson shelter and between them the two working class families put the world to rights. But when their daughter falls for an upper class RAF pilot the Twiggs are asked by his mother, Lady Diana Stephens to tell their daughter to call the romance off, as the social gap between the families is too large. Incensed by Lady Diana s offer of money, Sam Twigg throws her out of the house. But events take a sudden turn as the war enters the Twiggs own living room. Will the two families manage to overcome their disdain for each other and let true love find its way?

Filmography

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Those People Next DoorThose People Next Door · 1953
Those People Next Door
5.81953
MovieComedy
The Twiggs are a typical working-class family: Sam (Jack Warner) and Mary (Marjorie Rhodes) are trying to bring their family up in the shadow of the Blitz whilst taking everything in good humour. Their neighbours Joe (Charles Victor) and Emma (Gladys Henson) are constantly in the Twiggs house, borrowing a cup of sugar or using their Anderson shelter and between them the two working class families put the world to rights. But when their daughter falls for an upper class RAF pilot the Twiggs are asked by his mother, Lady Diana Stephens to tell their daughter to call the romance off, as the social gap between the families is too large. Incensed by Lady Diana s offer of money, Sam Twigg throws her out of the house. But events take a sudden turn as the war enters the Twiggs own living room. Will the two families manage to overcome their disdain for each other and let true love find its way?

Anne Twigg

The Lucy ShowThe Lucy Show · 1962
The Lucy Show
7.01962
SeriesComedy
The Lucy Show is an American sitcom that aired on CBS from 1962–68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965–66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star. The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966–67 and 1967–68.

Saleslady

Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.