Yurii Illienko

In the Carpathian Mountains of 19th-century Ukraine, love, hate, life and death among the Hutsul people are as they’ve been since time began. Ivan is drawn to Marichka, the beautiful young daughter of the man who killed his father. But fate tragically decrees that the two lovers will remain apart.

Petro is a modest farmhand living in an impoverished village in some unspecified long-ago era. He wants to marry the lovely Pidorka, but her stern father won't hear of it. The mischievous demon Basavriuk, offers a deal, enticing Petro into crime for the sake of fortune.

Drama about Aleksandra Avramovna Derevskaya (1902-1959), who, between the two wars - the Civil and Great Patriotic War, raised 48 orphan children of different nationalities. After her death, each birthday, her large family gathers at the table, to preserve the tradition of serving baked potatoes, which was a favorite dish of the household head.

Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The spirit of the forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.

During an interesting era in the history of Eastern Europe when Russia, under Peter the Great, and Sweden, under King Charles XII, struggled for power, Ukraine was the pawn in the middle. In 1709, Ivan Mazepa, Hetman of Ukraine, which was part of the Russian Empire, signed a pact with the Swedish king promising to support Sweden in its war against Russia provided that Ukraine was given its independence.

A convict is forced to hide within a model of a hammer and sickle. Here a tragic romance ensues between the convict and woman worker; which is spoilt by the woman's jealous young son. The convict is then forced to undergo a tragic bid for freedom which ends with the beauty of swans contrasted with the imprisoned convicts and the hopeful but ultimately tragic wait by the woman for her lover.

An old fisherman spends his days waiting to hear from his son who left the village long time ago.

The script about loneliness, conformity and the impossibility of creative realization scared the editorial censorship at the studio, and then at Derzhkino. A lot of claims were made against him. The demands for amendments and endless additions and rewrites by the authors lasted for about a year. The original version of the title "Na pokhony!" ("To bow down!") was replaced by "To Dream and to Live". According to Pylyp Ilyenko, the director's eldest son, this name appeared "as a result of censor pressure." Censorship stopped the tape 40 times: at the stage of the literary script, director's, during film tests (the actors were not approved), filming, etc. The film catastrophically fell apart into fragments, into masterfully filmed, but unrelated scenes. The director called the finished version a "dead film".