M. S. Sundari Bai

Punar Janmam (Rebirth) is a 1961 Indian Tamil-language drama film directed by R. S. Mani. The film stars Sivaji Ganesan, Padmini, Ragini and P. Kannamba in lead roles. The film, produced by N. S. Diraviyam under Vijaya Films banner, had musical score by T. Chalapathi Rao and was released on 21 April 1961.

Lalitha is the eldest daughter of a pious and conservative Brahmin family. She has eight siblings and poverty rules reign. She decides to take up the family mantle and goes to work. Due to family needs and ill fate, she ends up as a prostitute but manages to settle all her brothers and sisters. Her family ditches her when they come to know about her dark side. Thangavelu, a man who was once rejected by her marries her. She loses her sanity in the end.

Kumaran, who is married to Kumudha, takes the blame for a murder he did not commit. Convinced of his innocence, his former lover sets out to unearth the truth, which involves Kumaran's brother-in-law.

Based on Nandan, a low caste farmer's deep devotion towards Shiva.

Sundaram, a member of a musical band, goes to chennai to earn money for his sister's marriage but his look-alike brother Ranjit, tricks him. Ranjit carries out his illegal trade without any trouble.

An orphaned woman becomes governess at mansion where the occupants hold a dark past.

Ravi, the only son of Vedachalam (Baliah), has traveled on business. Returning home, he meets a young woman on the train after picking up her spilled luggage. The contents of the luggage reveal that she is his sister, from his father's teenage years. When he returns home, she is moved in and living a life of wealthy luxury. But is she really who she says she is?

Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted man leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the greatest wealth.

A hagiography of the legendary Tamil saint poetess of the Sangam period.

Aandavan Kattalai (English: Deity's order) is a 1964 Tamil film directed by K. Shankar and produced by P. S. Veerappan under PSV Pictures. Music by Viswanathan-Ramamoorthy assets to the movie. The film staaring Sivaji Ganesan and Devika played lead role with J. P. Chandra Babu, K. Balaji, S. A. Ashokan, A. V. M. Rajan and Pushpalatha.

Paadhai Theriyudhu Paar is a 1960 Indian Tamil-language drama film directed by Nemai Ghosh. The film stars K. Vijayan and S. V. Subbaiah in the lead roles. The film had musical score by M. B. Sreenivasan. The film won the National Film Award for Best Feature Film in Tamil along with Kalathur Kannamma.

The movie deals with four friends. Ravichandran, the hero, is the son of a rich man (Veera Raghavan), and he along with his three friends Nagesh, Mali and Murthy, lives in a mansion owned by his father. While they plan to go on a holiday, a young woman (Kanchana) sneaks into the bungalow, fleeing from danger, and begs the hero to offer her solace for two days. He agrees and the trip is cancelled. Kanchanca and Ravichandran fall in love. Another woman (Vijaya Chandrika) suddenly appears one night and leaves her child, Baby Shanthi, with a note claiming that she is Mali’s daughter. Mali asserts that he has never seen the baby before and asserts that he doesn’t know the woman in the letter. But he falls for the child and brings her up with love and affection.

Brothers Veer and Shashank fall in love with Chandralekha. Shashank kidnaps her and forces her to marry him. She requests a special drum dance prior to the wedding. The drums, however, hold a secret.

The charming Mr. Sampat weaves his way into theatrical company with his moneymaking schemes, only to cause the everyone involved to go bankrupt, including Malini, the young actress who has fallen in love with him.

Madhavan marries Thangam. He takes care of Thangam’s mother and brother along with his younger brother. Meanwhile, Madhavan gives shelter to his father’s mistress and her daughter. The evil ladies allege Thangam for loose morals. The rest of the story is how they come into good terms.

In order to marry Lalitha, Madhan sets out to find suitable bachelors to marry her three beautiful sisters as part of a condition set by her father.

Venkatchalam lives with his sister Indumathi, who hates men and vows to never get married. When Sanjeevi, Venkatchalam's friend, meets Indumathi, he falls in love with her.

Vanjikkottai Valiban is a 1958 Indian Tamil-language romance film written by Gemini Studios story department consisting of K. J. Mahadevan, C. Srinivasan and Kothamangalam Subbu while the film was directed and produced by S. S. Vasan. It stars Gemini Ganesan and Vyjayanthimala in lead with Padmini, P.S. Veerappa, T. K. Shanmugam, Pasupuleti Kannamba, Vijayakumari, K. A. Thangavelu and M. S. Sundari Bai as the ensemble cast of the film.

Manjal Mahimai (English: Power of Turmeric) is a 1959 Tamil language drama film, produced by D. Madhusudhana Rao under Annapurna Pictures and directed by Adurthi Subba Rao. Starring Akkineni Nageswara Rao, Savitri in the laed roles and music composed by Master Venu. The film is based on Aasapoorna Devi's Bengali novel Agni Pariksha which was first remade as Telugu movie Mangalya Balam (1958); both the movies are made simultaneously by same banner & director and some of the scenes & artists are same in both versions. It was later remade as Hindi movie Chhoti Si Mulaqat (1967) with slight changes, starring Uttam Kumar, Vyjayanthimala in pivotal roles

Miss Malini created at least one immortal character ‘Sampath’. Life is a constant struggle for Malini, a poor young woman with an ailing father.She reluctantly accepts stage actor-friend Sundari’s suggestion to go on stage, and joins her theatre group, Kala Mandhiram.Success smiles on her and she soon becomes an idol of the masses. Sampath, a suave swindler, befriends Malini and takes control of her life. He persuades her to start her own theatre company. A puppet in his hands, Malini severs ties with those who have helped her in the past such as Sundari.Soon she is in debt and back at the bottom of the ladder. Sampath abandons her. Sundari and others come to her rescue and Malini goes back to Kala Mandhiram and begins her life anew, sadder but certainly wiser!