Václav Marhoul

After losing his parents, a young Jewish boy wanders Eastern Europe, seeking refuge during World War II.

In 1938, in Stalin's Moscow, a disillusioned professor, Alexei, faces brutal interrogation by his former student, Vladimir, in Lubyanka Prison. Refusing to confess, he confronts his past sins and finds redemption through faith, sacrificing himself to save others in a haunting tale of morality and resistance.

A CIA agent gets caught up in political intrigue after he gets brought in to solve the murder of a Cuban ambassador.

It is the story of Jiri and Jan, two Czech soldiers, battling alongside the allied forces against the Germans, during World War II in Tobruk, Libya. Jiri Pospichal, eighteen years old, signs up as a volunteer in the Czechoslovak army. His naive ideas about heroism are rawly confronted with the hell of the African desert, complicated relationships in his unit and the ubiquitous threat of death.

Inspired by the stories of the American writer Raymond Chandler, the classical hero is private detective Phil Marlowe, a romantic cowboy, who takes the law into his own hands in the rough prairie of a large city.

A behind-the-scenes look at the eleven-year process it took to make The Painted Bird. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various stages of the film's creation, offering their subjective views from the beginning to the last flap of a year-and-a-half long shoot.

Director Tomáš Vorel created his experimental feature debut with members of renowned Prague non-traditional auteur theaters. The ensembles presented their own poetics and style through five "short stories" connected by satirical commentary by the "expert" Dr. Milan Šteindler, CSc.

30 years of freedom = 30 authors = 30 minutes of films. A unique project of Reflex magazine and Czech Television, which in honor of the 30th anniversary of the Velvet Revolution reflects many forms and understanding of freedom. Various personalities of the Czech cultural sphere have made their minute films.

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

A story about a man overly influenced by the women in his life, which is unique in many ways, including the fact that he somehow turned out to be "straight" in spite of his ordeals with women, which started at birth.

Vladimír Michálek chose an unconventional adaptation of Franz Kafka's novel for his feature debut. Artistically reminiscent of the classic films of Karel Zeman, the director reinterpreted this dark story of a man vainly seeking a place in a rigidly ordered society by changing the desperate conclusion into a happy end. The film provided Czech comedian Jirí Lábus with a new kind of role: that of the despotic uncle of a main hero Karel Rossman (Martin Dejdar).

A tragicomedy full of slapstick and vignettes, and even an unexpected shootout. A family of villagers moves up in the world - to the county seat. Dad works as a butcher at a meatpacking plant, mom is a checker at a supermarket. The daughter is at odds with her homeroom teacher, while the son - a vegetarian, anarchist, and avid pothead - is apprenticing as a butcher to please his father. The kid's in hot water with both his forewoman and the police. But dad isn't much of an example, letting himself be tempted by the charms of a lovely young butcher. However much mom tries - visiting the beauty parlor, her psychologist, or even the confessional - her husband shows his interest by moving out. Mom plots revenge. And somehow an imp gets mixed up in it all

This impressionistic film captures the uniqueness of life and creativity. An experimental feature comprising 40 distinct acting roles, each captured on its own 16 mm film roll, offering a kaleidoscopic mosaic of human traits that fluidly crosses comedy, drama, and documentary styles. Rather than following a conventional narrative, it presents standalone character portraits that collectively inspire creative artists to define and communicate their vision clearly.

The film is based on a legendary school film of Tomáš Vorel, called INg (1985). The storyline stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.

A personal look at the influential former politician who rose to fame as a driving force behind anti-communist and anti-homosexual U.S. political sentiment during the Cold War.

František Cepl is a young man from a simple family. He graduated from a real school and was going to study technology. When the occupation came, he had to work as a factory assistant. There he meets an older man named Telec, whom everyone knows as Hrabě. He impresses František with his ostentatious disdain for work and his shameless flirtation with women. František, whom the Count calls Papilio (butterfly butterfly), is filled with youthful ideals, while the Count, on the other hand, is an extract of the crudest individualism. He has worked his way up from a student at a business academy and a theatre actor to a member of a pre-war gallery. He blackmails, steals, drinks, abuses women and, in a way, Papilio himself.