Jérôme Navarro

Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.

Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will. However, in the process of seducing the married woman, Valmont falls in love.

Following the death of his wife, a renowned musician ostracises himself from the outer world and dedicates his life to music. However, his life changes when a young man approaches him to learn music.

Deep into a forest, a gathering of wild animals start a nocturnal opera, conducted by a squirrel.

A police chief fights to reopen the investigation into her father's death.

The ghost of a music teacher pushes a young mechanic to start a career in music.

Murders in... is a collection of French-Belgian police TV movies taking place each time in a different French city and region.

Josephine Delamarre is a guardian angel that Heaven sends to earth. With her psychological insight, ability of persuasion and magical powers, she manages to help people who have problems. She appears at the beginning of each mission; when the mission is completed, she disappears with a click of her fingers.

A genealogist and a cop: a great team for uncovering the origins of the crime. On a murder case, genealogist Margot Laurent teams up with Arthur Du Plessis, a young and self-assured cop. Who committed the murder? And why? A murder always has its dark side: a fabricated family history that becomes an urban legend. And who can claim that their family has no secrets? Margot and Arthur strip away the hidden mysteries to shed light on the murder. Arthur is the no-nonsense one, here to arrest the culprit, while Margot, the genealogist, is more interested in the past, in the prehistory of the murder, in what prefigured the tragedy before it happened. Between them, Margot and Arthur bring the events into focus. Here lie hidden family traumas, stories sometimes ignored by those who must endure the aftermath, which give multiple layers to the whodunnit.