Anne-Marie Miéville

Directing

Anne-Marie Miéville

Born November 11, 1945 · Lausanne, Vaud, Switzerland (age 80)

Anne-Marie Miéville, born November 11, 1945 in Lausanne, is a filmmaker, director, producer, screenwriter, actress and writer from Vaud. Anne-Marie Miéville works as a photographer and is the manager of a bookstore. In the 1960s, she also recorded two variety discs for Barclay, on songs by Jean-Jacques Debout. Then in 1972, she met Jean-Luc Godard in Paris, who became her companion until his death…

Known For

DetectiveDetective · 1985
Detective
★ 5.21985
MovieComedyCrime
Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.
Every Man for HimselfEvery Man for Himself · 1980
Every Man for Himself
★ 6.11980
MovieDrama
A look at the sexual and professional lives of three people — a television director, his ex-girlfriend, and a sex worker.
The Image BookThe Image Book · 2018
The Image Book
★ 6.32018
MovieDocumentaryDrama
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
First Name: CarmenFirst Name: Carmen · 1983
First Name: Carmen
★ 6.01983
MovieCrimeDrama
A woman involved with a terrorist group becomes dangerously close to the police officer guarding the bank they plan to rob.
Nouvelle VagueNouvelle Vague · 1990
Nouvelle Vague
★ 5.81990
MovieDrama
Composed entirely of literary quotations from many different sources and from several historical periods, the loose narrative concerns a drifter found by a rich woman who soon falls in love with him. A drowning accident takes place and the drifter dies, but some time later he reappears in the woman’s life looking for a job. Or could it be the man’s twin brother?
Hail MaryHail Mary · 1985
Hail Mary
★ 6.21985
MovieDrama
A college student gets pregnant without having intercourse, affecting people close and unrelated to her in different ways.
Tout Va BienTout Va Bien · 1972
Tout Va Bien
★ 6.61972
MovieDrama
A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.
Ten Minutes Older: The CelloTen Minutes Older: The Cello · 2002
Ten Minutes Older: The Cello
★ 6.62002
MovieScience FictionDrama
Collection of short films the summaries of which include; a foreign man moving to Italy, getting married and having a child; a four split scene short involving plot-less images of old people with television sets for heads, a beautiful woman having sex, and overall confusion; and an old man reminiscing over his youth.

Filmography

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The Image BookThe Image Book · 2018
The Image Book
★ 6.32018
MovieDocumentaryDrama
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Narrator (voice)