Lia Chapman

Spanning several decades, this powerful biopic offers a glimpse into the life of famed Cuban poet and novelist Reinaldo Arenas, an artist who was vilified for his homosexuality in Fidel Castro's Cuba.

Based on the book by Julia Alvarez. Three sisters become activists during the Dominican Republic's Trujillo regime when members of their family are killed by the government's troops.

Recently escaped from reformatory, Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other's arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.

Two angels, one from the heaven and one from the hell, come to earth to save the soul of a boxer.

Loosely based on the true events of a homeless loner who moves into a self-storage facility inhabited by a community of bizarre squatters until they are locked in for the night with a deranged female who hunts them down in search of her lost child.

Barbara is a teenager overwhelmed by her parents' relationship, by the contradictions between her desires and the society she lives in, by love, heartbreak, and misunderstandings. One early morning, she drives 100 kilometers back from a party in Villa Mercedes with her boyfriend Federico, two friends, and a lot of alcohol. Amidst death, helplessness, and incomprehension, her 80-year-old grandmother Olga's story appears at the perfect moment, with the precise wisdom and understanding of a family history of Italian immigrants that repeats itself through generations; with the perfect magic and timing, and a bridge between life and death: the perfect beauty to drain so much pain.

Jesus, an old man who has been a field worker and now only has his puppy left is obliged to separate from him to undertake the final stretch of his life.

Faced with the deafening silence of the sea, how do four approach a duel? What do they take for granted about death? What different states do three go through with respect to the same duel? What hidden feelings appear? Why do you think you feel things that you don't feel, but say you have to feel and make them your own? What unsuspected vibrations could arrive and completely change your idea of ​​death? By four, by three, by two... and one?