Jean-Pierre Bergeron

A deranged prison warden with a nasty habit of killing escapees forces the boyfriends of his teenage twin daughters into a shotgun wedding, after they claim to be pregnant. All hope seems lost, until the husbands hatch a madcap plan to rob a money train to freedom.

The true life story of mafia boss Joesph Bonanno. The story spans from Bonanno's early beginings in Italy, to his conquests in America.

In the year 60 B.C. a group of Druids, including the arch-druid Guttuart (Max von Sydow), witness the passing of a comet and interpret it as the sign of the coming of a king for their country Gaul, which has not had a king for a long time. Guttuart goes to Gergovia, the capital of the Arvenes tribe, to attend a meeting of Gallic tribal chieftains. The young boy Vercingetorix, along with his friend the young girl Eponia, sneak into a large cavern where Celtill, Vercingetorix's father and chieftain of the Arvenes, hosts the meeting of chieftains with the intention of proclaiming himself king of all Gauls. When Celtill shows off the crown once worn by the old kings of Gaul, an arrow from two Roman spies (dressed as Gauls) hits Celtill in the back.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

A fertilizer used in a rich gated community becomes the source of a genetic mutation that transforms its residents into zombies. Can a teenager and his baby sister break free from the quarantined island before turning into grass?

Two bumbling but determined three-day film school graduates enter the Montreal World Film Festival with a feature film that doesn't exist.

Marco Poloni's family owns a bakery in the Bronx and it seems that they have fallen on hard times and his family is considering selling the bakery. Marco then decides to enter a baking competition hoping that the money and publicity will help them. But he needs a partner, so her asks Grace Carpenter, the baker of restaurant, but unfortunately they started off on the wrong foot, but she agrees. So they go to the competition and things seem to be looking good except for a few complications. One of the other contestant Jacques du Jacques is Marco's former classmate at the Academy, whom he says betrayed him. Emil, one of the judges, is Marco's former instructor at the Academy whom he did not leave a good impression on. And Marco's temper. So will they be able to pull it off. And at the same time Marco finds himself attracted to her but she already has a boyfriend.

Saturday, 12 p.m. The countdown has begun for four men on the make for women. Massage studios, last minute shopping, bodybuilding; our men ardently throw themselves into the ritual of appearance. It is impossible to resist the ferociously burlesque and remarkably stereotypical behavior of these characters. We will meet Gérard known as The Bull, Patrice known as The Lion, Jean-Jacques known as The Peacock and Serge known as The Earthworm. All of this is set in the clubs and bars of late night Montréal.