Sergio Bellotti

A young man is witness of a murder committed by his father

Muriel and her mother leave their home for good and a freak occurrence leaves them stranded in the country. They beg a woman to let them stay and a shaky friendship develops between the two families.

A journalist interviews a general from the Process a few days after the defeat in the Falklands War. The general's speech is brutally sincere. These are the words that no Argentine military officer would say, has said, or will say. The idea is to exploit one of the feelings many people experience during the trials of repressors: it's strange that no one explicitly admits a single truth. The irony of this story is built on this sense of need to listen, with a certain moral and political awareness.

Soon to turn 40, Carlos is a humble bank clerk who feels that his life is a monotonous waste of time. When Carlos begins to feel condemned forever to a life of quiet despair, he is presented with an opportunity to rip off a bank.

Delirious black comedy about a leftist group that tries to kidnap General Peron's corpse the day of his death.

Buenos Aires, 1932. After a series of warning attacks from an enemy, a mafia boss decides to fake his own death and then strike back. Things don't go according to his plan.

Telma (Norma Pons) is concerned when her father Salerno dies of a heart attack in a movie theater while watching a film of two thugs beating another man. She believes that there is something more to it, and seeks the help of Deganis (Patricio Contreras), a forensic psychiatrist. Deganis, having found out the names of the two actors doing the beating onscreen, looks one of them up. His name is Walensky (Lito Cruz), and he is looking for Smith (Martin Adjemian), the other actor.