Gustavo Montiel Pagés

April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.

Two men have problems committing to relationships with their partners. They live it up, in town to remain independent, but their heartstrings are pulled when their women do exactly the same.

The film got its inspiration from a real life character that killed policemen in the streets. The film narrates just how this man was pushed to committing crime.

A Literature professor arrives at a provincial hotel, lonely and consumed. All of the sudden he becomes wrapped up in a game of superstitions that the two women and the young girl that serve him lay out.

A playful and original vision of the indelible mark left by Emiliano Zapata.

In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Benjamin is an old bachelor who lives with his sister. One day he falls in love with the young Natividad. Seeing that the love letter strategy doesn't work with the girl, Benjamín decides to kidnap her.