Fabiana Perzabal

A Jewish teenager is about to compete in the swimming nationals when a goy who works at a radio station invites her to a concert. The adventures and romance between these two will test their beliefs and family bond. While experiencing the worst economic and political crisis in the country, her father will do whatever it takes to keep her away from him and preserve his family pure. Confronting him, she will struggle to build her own destiny

A fairy tale about the political and socioeconomic realities of Mexico.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Lucia is a Mexican girl from a poor town who sets her mind to cross the border to The United States to find her son's father who she hasn't heard from in years. On the road she meets Fernanda, a high middle class girl that has unresolved issues with her ex-boyfriend and is willing to travel hundreds of miles to resolve them once and for all. Lucia and Fernanda are two girls from two very different social backgrounds, yet they travel the same road hoping to reconnect with the men they love. But it seems destiny has brought them together in their individual quests to share a path, to know each other and to know themselves a little better and discover if happiness is at their destinations.

Three friends have a special mission: find some keys lost in a pile of dead leaves. It may seem a simple task, but it will turn into an odyssey when it confronts them to their fear to grow up. This afternoon, as trivial as it may sound, could change the course of their lives.

In Guita Schyfter’s El águila y el gusano, an intricate plot serves to intersect the destinies of several characters: the owner of a beauty salon in love with “all things Chinese”, a politician with a taste for oration who couldn’t care less about the problems of his country, a political adviser whose counsel is never considered and a shady investigator with a name that nobody seems to recall. The script by Schyfter and Hugo Hiriart, her longtime collaborator and author of the 2013 novel on which the film is based, bristles with finely-crafted, hilarious dialogue.

The Faces of the Moon is the story of five women from five different countries (Argentina, Uruguay, Mexico, USA and Spain), invited to Mexico City to be the jury of the Third Annual Latin American Women's Film Festival. In six vertiginous days these women share their past experiences, their ghosts and, their expectations. The group views and critiques the festival's film entries, and, in the process, the women reveal their personal, political and national histories.

In a world devoured by an invisible force known as disenchantment, the stories of three characters intertwine: Diego, who tries to make a movie about the dreams of Ximena, an adolescent experiencing her sexual awakening, who is secretly in love with him and who, in order to help him in his bizarre project, leads him to Ainda, a conceptual artist with bat wings, with whom the naïve filmmaker falls madly in love. Ainda is attracted by the purity of the young people and seduces them both, which leads to a magical moment in the lives of all three. But soon the young people discover that their beloved harpy’s heart belongs to a being from beyond the grave. Then the idyllic relationship of the three characters begins to crumble and they do everything in their power to prevent it, as the dark force of disenchantment closes over the city.