Herval Rossano

The project of urbanization of a shantytown is endangered by lack of money. To get the necessary sum, three friars start to sing in plain clothes, incognito, also recording records and doing shows in nightclubs.

Maria is a young woman who becomes a well-known crook in the bohemian district of Lapa, in Rio de Janeiro. She earns her living with little scams and tricks. Nevertheless, she is good-hearted, and that's why her latest cheat doesn't work at all.

The story of the first steps of a very young couple. Their love is great, as are the financial obstacles and an unexpected pregnancy.

Winner of a Theater talent contest, in which he was the only one to enroll, Belizário da Silva leaves his hometown, and tries to make it in Rio de Janeiro.

Dona Xepa is a vegetable stand owner. She dreams about the success of her scientist son. The film is based on the play by Pedro Bloch.

Poor crook gets a job as janitor in a luxury house. But he starts pretending be the rich owner of the house and in no time is owing multiple debts.

Minutes before the start of an important football match between Corinthians and the Uruguayan team of Carrasco, the main player of the São Paulo team, Baltazar ends up cut because of a serious appendicitis crisis. In place of the Corinthians top scorer, reserve Julinho is selected.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

Set in 19th-century Brazil during the waning years of slavery, Escrava Isaura tells the story of Isaura, a white-skinned enslaved woman raised with the manners and education of a noble lady. Though treated with affection by her mistress, Isaura remains legally enslaved and becomes the object of obsessive desire by Leôncio Almeida, the cruel heir to the plantation. After the death of her protector, Isaura falls under Leôncio’s control. Despite his attempts to seduce and dominate her, she resists, determined to preserve her dignity and freedom. Her father, Miguel, helps her escape to Recife, where she adopts a new identity and meets Álvaro, a wealthy and principled abolitionist who falls in love with her. Leôncio eventually tracks her down, leading to dramatic confrontations. In the end, Álvaro rescues Isaura by purchasing Leôncio’s debts, securing her freedom and affirming the story’s central themes of justice, love, and resistance against oppression.

Marina is raised by her father on an island after her mother's death. As a teenager, she moves to Rio de Janeiro to study and live with her godparents, where she ends up falling in love with Marcelo.

Gina attracts attention and envy. Years later, her life is shaken by the return of an old love and she discovers some schemes orchestrated by her best friend.

Maria Augusta, Maria José, and Maria da Glória reunite in Rio after studying together in Switzerland and prove their friendship despite many twists and turns, crimes, and romances.

The soap opera critiques the power struggles among rural politicians in the 1920s. Joaquim is shocked when a doctor reveals that his son, Luís Jerônimo, has a lung lesion. To recover his health, the young man leaves Rio de Janeiro for Colonel Boanerges's farm in Vila da Mata, Espírito Santo. There, he meets Zuca, and the two fall in love. Zuca is the colonel's goddaughter and the fiancée of the fearless cowboy Tobias, who refuses to accept the possibility of losing her to the outsider. Zuca and Luís Jerônimo face numerous obstacles in pursuing their love. Their romance is also threatened by the arrival of Pepa in Vila da Mata; having been in love with Luís Jerônimo back when he lived in Rio, she tries by every means possible to drive the couple apart.

The soap opera told the story of Fernando Dalba, or Nando, a fruit vendor who works with his mother, the Baroness, and his friends Gino and Guiomar. His life changes after he meets the wealthy widow Cristina Guimarães, owner of a beauty salon, who decides to teach him how to behave like a man of high society. Cristina's intention is to win a bet, but she falls in love with Nando, who is engaged to Candinha.

Isaura was born in 1835, in the farm of Commender Almeida. She is the daughter of the slave Juliana and the tenant of the farm, Miguel. Juliana dies right after the birth, because she denied going to bed with the Commender. He whips her to death in revenge. So, Isaura is raised and educated by Gertrudes, wife of the Commender, who always wanted to have a daughter. In spite of her excellent education and the white skin, Isaura, as a daughter of a slave,will always be treated as a slave.

After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

The plot takes place in a fictional city called Vale do Café, where two powerful families, the Toledo and Fontes, are locked in an intense dispute for power and land ownership. Conflicts are marked by betrayals, forbidden loves and dark secrets. The soap opera addresses themes such as ambition, revenge, romance and conflicts between families, showing the fire that consumes the land and human relationships.

Set in 1940s São Paulo, the story follows Laura, a modern woman devoted to the arts who is oppressed by her husband, Natércio Prado—a wealthy man with traditional views. Amidst marital turmoil, Laura suffers a severe trauma and is even committed to an asylum by her husband. The couple separates, and the family is torn apart: Laura keeps her youngest daughter, Virgínia, while Natércio retains custody of the other daughters, Otávia and Bruna. Frail and penniless, Laura moves into the Vila Mariana home of her neurologist, Daniel. He is in love with his patient and believes her condition is physical rather than mental. Laura hides the fact that Virgínia is actually Daniel's daughter. The youngest daughter eventually returns to live with her father, where she faces hostility and harshness from the housekeeper, Frau Herta.

A widower who was anything but traditional for the 1950s, Álvaro has a frank relationship with his daughters and becomes the target of criticism from his sister-in-law Fausta, especially when he meets Marta.

A hardworking market vendor, Mrs. Xepa faces many sacrifices to raise her children alone. However, as they achieve social advancement, they begin to feel ashamed of their mother.

The story follows the experiences of Marina, a young country bumpkin who marries the mysterious and charismatic widower Roberto Stein, a fabulously wealthy businessman living in 1920s Rio de Janeiro. As Marina attempts to acclimate to her new marriage and responsibilities, she discovers that Stein's late wife, Alice, still seems to have a strong hold over the household. Despite her new husband's affection for her, Marina is nonetheless threatened by Alice's presence, which is made conspicuous through her old maid Juliana's obsessions and her intimidating portrait.

Cecília is in love with Eduardo, a millionaire who doesn't care about their relationship. Ready for a new direction in life, she ends the relationship and goes to work as a flight attendant in New York. Later, she returns to win back her love, but things are not the same anymore.

In the backlands, the drover Ricardo marks the destiny of young Maria. Years later, in Xique-Xique, a mistake between two identical women rekindles passions, separations, and an impossible love.

The mining town of São João Del Rei became the setting for a romance set amidst discussions about land division.

'Cuca Legal' tells the story of Mário Barroso, a single aviator involved with three women at the same time: Virgínia, Irene, and Fátima. Virgínia is a wealthy businesswoman obsessed with the direction of her late father's business; Irene is a middle-class young woman who gives private piano lessons; and Fátima is a poor widow. Mário can't decide which of them is the ideal woman to give him a child with a "cool head" (cuca legal). Things get even more complicated when Maria Joaquina, nicknamed Kinu, Virgínia's mother, also catches the aviator's attention. To escape the troubles he constantly gets into, Mário relies on the help of his mother, Dalva, and Jacaré, his great friend.