María Fernanda García

Carolina, married to Germán, decides to put an end to her husband's deceptions and after surprising him with her new lover, she decides to leave him but now Germán has taken her daughters away and everything she loves. Germán dies but he has kept a last surprise up his sleeve and even after death, will continue tormenting Carolina.

Filmmaker José Cardoso’s deeply personal Flowers is an exercise in sense-making, led by both his conscious and unconscious mind. Navigating the barrage of online news images produced each day, he transforms these into an unexpected web of connections that link an Amazonian community threatened with the destruction of their land to an extreme right-wing Brazilian President who justifies the exploitation of the Amazon by the rising price of resources precipitated by the war in Ukraine. Meanwhile, Buddhist monk Thích Nhất Hạnh teaches us to make our enemy the object of our compassion, and the filmmaker’s three-year-old son marvels at the frogs and flowers growing in the garden.

In a totalitarian future, in a nightmare metropolis, inhabited only by criminals and police, Erik Lonnrot, a gifted detective, investigates a series of strange murders and disappearances that seem to implicate a insane crime lord. (Re-released in 1996 as a feature film, 86 minutes.)

In Mexico City, a woman is raped every 9 minutes. This film details some of the legal and social problems in the country and how it's often difficult for women to find justice. Awarded Best Film by Mexican Cinema Journalists and nominated for three Ariel Awards.

On the day of his first communion, the boy Honorato is orphaned because the mafia murders his parents. Before dying, the father recommends that the son defend himself against whoever tries to harm him, so that over time he becomes a bloodthirsty and sadistic gunman, always accompanied by the ghost of his father. His fame bears in the ears of Rutilo, the boss of the central supply, who hires him to avenge the death of his son. Honorato fulfills the mission with luxury of violence and becomes a trusted man of the gangster.

A group of women take the law in their own hands after a friend has been raped and killed by some masked men.

A brave man arrives in a lawless town, where people live in terror, to find the scoundrel guilty of the death of his brother.

Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?

Mexican comedy from 1990 written and directed by Víctor Manuel Castro.

When a boy dies during a cruel prank during gym class, the bullies who victimized him begin to disappear.

The human and divine justice are exposed through five real life stories related to the legal processes of a prison. The cases presented are: "I want to stay in jail", "Blood between women", "The raped prostitute", "The kidnapped policeman", and "Euthanasia or murder?"

Character study of a stay-at-home daughter, 1930s through the 1950s.

A love triangle set in the heart of Mexico City where an impulsive egocentric TV producer, an ambitious neuroscientist, and a police detective desire love, and look for it in all the wrong places.

A group of young adults will spend their adolescence at the Elite Way School, where they will learn about love, life and live their passion for music.

Stories about people who get into problems who use the help of Virgin Mary and where a rose appears and their problems are solved.

The story of four teenagers who have always lived in the city of Tlacotalpan, Veracruz, Mexico. The story's message emphasizes the distinction between the importance of pursuing one's dreams and the importance of pursuing material things. (a remake of a Argentine telenovela, Verano del 98, adapted for the Mexican audience)

La Hora Marcada was a 1986 Mexican television anthology series famous for its horror and science fiction themes in the vein of the Twilight Zone. Although virtually unknown outside the country, it achieved a popular and critical success in Mexico. It had a series of rotating writers and directors, among them Emmanuel Lubezki, Guillermo del Toro and Alfonso Cuarón.

Ten members of the same family share a small house and stumble together through life's mishaps.

Las Dos Caras de Ana is a Mexican telenovela produced by Televisa and Fonovideo that debuted in 2006, starring: Ana Layevska and Rafael Amaya. The telenovela was made, filmed and set in Miami, Florida. The title is upon the phrase Las Dos Caras de Jano.

Good-hearted Julián is kidnapped to impersonate a corrupt casino owner, marry his fiancée and outwit the mafia — though romance was never part of the plan.

A detailed dramatization of historical events during the time of the Revolution in Mexico. Using never-before-known historical documents, details about what happened during the period from 1910 to 1928 are revealed.

Emilia is a woman who, against her mother's will, confronts everything and everyone to pursue her dream of succeeding as a singer. She has a beautiful voice that immediately connects with people and the talent to put music to the words that come from her heart. Although her mother was the one who taught her how to sing, she forbade her from doing it professionally, believing that those who enter that world, full of vices and easy ways, get lost. When Emilia meets Angel, her idol, she finds the strength to pursue her dream without realizing that her voice will give him hope and life. Angel will give her wings and Emilia strength. Still, they must face many obstacles to materialize their love and survive between love and fame.

A comedy with entertaining stories of love that can be unleashed on the interior of a psychiatric hospital, whereby we can explore the races and capricious disgusting human rights.