Eugenia Galindo

La monja alférez

A 17th century woman, imprisoned for fighting in a bar, recounts her past to a priest. She tells of her father teaching her how to fence, of being sent to a convent by her aunt when her father died, of escaping by dressing as a man, and of her life as a man following the escape.

Yo quiero ser mala

In this Romantic-Comedy from Director Rene Cardona, Actress Maria Elena Marques plays a hard-living woman named Leticia, who suffers from a recently broken heart after being deceived by her ex-boyfriend. Soured on anything to do with love and while drinking away her sorrows, she sets out to marry the very first man she sees. This man just happens to be a nice guy named Roberto, (Abel Salazar). Although the pair's mutual attraction to each other is obvious, Roberto has no idea what he is in for, and he soon proposes. Not long after the marriage, Leticia starts to take advantage of both Roberto and her new Father-in-Law (played by Oscar Pulido), who shows kindness towards the girl. Predictably, marital bliss soon turns into discord, and the couple agree to divorce after a year passes. Their love-hate relationship and pending break-up provides a perfect backdrop for several comedic situations before the two realize that they are actually in love.

The King of the Neighborhood

A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.

Los últimos días de Pompeyo

A 1940 film directed by Rafael E. Portas.

Get Off at the Next Corner!

Driver Gregorio del Prado and fare collector Regalito were suspended for deviating from their route to impress a young woman named Cholita.

Mujer de medianoche

Young woman elopes with her fiancé; during their honeymoon, things happen that cause them to be separated, and she finds herself alone in a big city with no resources to fall back on.

Apartment house

Personal dramas among the residents of an apartment house.

¡Fíjate qué suave!

There are two sisters who will soon receive a large inheritance and several men want to marry them to participate in that heritage.