Alanis Obomsawin

Cree matriarch Aline Spears survives a childhood in Canada’s residential school system to continue her family’s generational fight in the face of systemic starvation, racism, and sexual abuse. She uses her uncanny ability to understand and translate codes into working for a special division of the Canadian Air Force as a Cree code talker in World War II. The story unfolds over 100 years with a cumulative force that propels us into the future.

Often feeling alone in her waking life, the young Alanis Obomsawin found friendship with the Green Horse, a benevolent being she visited regularly in her dreams. Together with other animal spirits, the Green Horse guided Alanis to realize the immensity of the gift of life and the power of kindness.

A performing arts film by Alanis Obomsawin, it documents efforts to raise funds for the James Bay Cree and was made at a time when Cree territory was threatened by hydro-electric projects. Amisk represents early work by Obomsawin, a trailblazer in Canadian Aboriginal film.

A young woman arrives to Montreal to find love. A fortune teller tells her that a wealthy man meant for her is right around the corner so she goes looking even among her odd rag tag group roommates.

The story of a young Mi'kmaq girl whose name means "the light from the dawn."

Renowned Haida artist Bill Reid shares his thoughts on artistry, activism and his deep affection for his homeland in this heartwarming tribute from Alanis Obomsawin to her friend's life, legacy and roots.

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.

A founding member of Cape Dorset’s famed printmaking co-op, Kenojuak Ashevak introduced Inuit art to the world.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, sets the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness.

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.

Atikamekw elder Cézar Néwashish continues to recount the history of the community of Manawan that first began in The History of Manawan: Part One. As Christianity and European customs take deeper root in the community – abetted by residential schools and aggressive assimilationist government policies – seemingly irreversible changes to significant customs begin to unfold. Despite these struggles, the people carry on. This short is part of the Manawan series directed by Alanis Obomsawin.

This documentary by acclaimed filmmaker Alanis Obomsawin introduces us to Randy Horne, a high steel worker from the Mohawk community of Kahnawake, near Montreal. As a defender of his people's culture and traditions, he was known as "Spudwrench" during the 1990 Oka crisis. Offering a unique look behind the barricades at one man's impassioned defence of sacred territory, the film is both a portrait of Horne and the generations of daring Mohawk construction workers that have preceded him.

In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.

A portrait of Eugene "Gene Boy" Benedict from Odanak Indian Reserve near Montreal, Quebec. At 17, adrift and beginning to lose his way, he accepted a dare and enlisted in the US Marines – and was sent to the frontlines of the Vietnam War. This film is the account of his two years of service and his long journey back to Odanak afterwards.

A study of life at Christmastime in Moose Factory, an old settlement mainly composed of Cree families on the shore of James Bay, composed entirely of children's crayon drawings and narrated by children.

Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.

This short documentary is a moving tribute to Richard Cardinal, a Métis adolescent who committed suicide in 1984. Taken from his home at the age of 4 due to family problems, he spent the rest of his 17 short years moving in and out of 28 foster homes, group homes and shelters in Alberta. A sensitive, articulate young man, Richard Cardinal left behind a diary upon which this film is based.

This documentary short by Alanis Obomsawin tells the story of Kahentiiosta, a young Kahnawake Mohawk woman arrested after the Oka Crisis' 78-day armed standoff in 1990. She was detained 4 days longer than the other women. Her crime? The prosecutor representing the Quebec government did not accept her indigenous name.

The Nishiyuu walkers made the trek from Whapmagoostui in Quebec to Ottawa, a 1,600-kilometre journey whose roots date back millennia. At the heart of legendary director Alanis Obomsawin’s latest short documentary, her 51st film in 50 years of filmmaking, is the idea of walking as activism, as well as a symbol of decolonization and an embrace of the traditional.

This feature documentary by Alanis Obomsawin is a thoughtful tribute to Norman Cornett, a McGill University professor celebrated by scores of students appreciative of his unconventional yet powerful teaching methods who was controversially dismissed from his teaching duties in 2007.

Mohawk Chief John Norton and 80 Grand River warriors hold off American soldiers until reinforcements arrive and the Battle of Queenston Heights is won (1812).

Just north of the City of Edmonton lies Poundmaker’s Lodge, an addiction and mental-health facility specializing in treatment for Indigenous people. Founded in 1973 and still operational today, the Lodge’s programs and services are Indigenous-run and based in culturally appropriate recovery and healing techniques. Framing the short documentary with the words of the great Plains Cree Chief Pîhtokahanapiwiyin (Poundmaker), Alanis Obomsawin presents a frank examination of the root causes of substance abuse in Indigenous communities and how the absence of love and support – exacerbated by the impacts of colonialism and racism – created a legacy of alcoholism for some individuals. Through searing and emotional testimonies of people in the Lodge, this work presents portraits of courage and perseverance, and hope for future generations.

Heritage Minutes, also known officially as Historica Minutes: History by the Minute, are a series of sixty-second short films, each illustrating an important moment in Canadian history. They appear frequently on Canadian television and in cinemas before movies and are now also sold on DVD. The Minutes were first introduced on March 31, 1991 as part of a one-off heavily-promoted history quiz show hosted by Rex Murphy. The thirteen original short films were broken up and run between shows on CBC Television and CTV Network. The continued broadcast of the Minutes and the production of new ones was pioneered by Charles Bronfman's CRB Foundation, Canada Post Power Broadcasting, and the National Film Board. They were devised, developed and largely narrated by noted Canadian broadcaster Patrick Watson, while the producer of the series was Robert Guy Scully. In 2009 Historica merged with The Dominion Institute to become The Historica-Dominion Institute. While the foundations have not paid networks to air Minutes, they have made them freely available, and in the early years paid to have them run in cinemas across the country. The Canadian Radio-television and Telecommunications Commission has ruled that Heritage Minutes are an "on-going dramatic series" thus each minute counts as ninety-seconds of a station's Canadian content requirements.

Cree Matriarch Aline Spears survives Canada's residential school system to continue her family's generational fight in the face of systemic starvation, racism, and sexual abuse. The story unfolds over one hundred years with a cumulative force that propels us into the future.