Tikoy Aguiluz

Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.

Julio, a young fisherman from a provincial village, descends into social alienation as he arrives in Manila to search for his loved one.

Biyaheng Langit tells the story of Bea, a young Filipino-American (Joyce Jimenez). Bea is bored; all she wants in life is to raise five thousand dollars so that she can live independently in the United States. To relieve her boredom, Bea follows her grandmother (Nida Blanca) to the casino, where they gamble all night; this is where she meets Danny (Mark Anthony Fernandez), a runner who collects money from the tables for Bosing (Bembol Roco).

An erstwhile boatman wants to do a little more than paddle his own canoe in the town famed for its waterfalls. He leaves the village of his roots for the city and lands a job as a live sex performer called toro. Quick successes in his newfound profession delude him into regarding that the measure of a man is in his trousers. He has a partner on stage and off. Despite her cynicism and tough veneer, she sees in him a way out of the slums and the red light district.

A ritual performed by women to invoke the gods to grant the blessing of fertility by dancing around a Balete tree that was already a century old.

Minda, in her forties, is having a torrid affair with the younger Dave, and is trying to hide it from her husband Chito. Dave is an occasional tattoo artist. He also plays drums in a rock and roll band that has a difficult time finding gigs, now that the US Navy has left Subic Bay. One day Stephanie, a Philippino-American who came to the Philippines on a cultural discovery tour, turns up at Minda's house claiming she is her daughter, whom she gave away for adoption twenty years earlier. Stephanie has questions about her adoption that Minda is unwilling to answer. Dave arrives and takes Stephanie out, much to the annoyance of Minda.

The bizarre history of Filipino B-films, as told through filmmaker Andrew Leavold's personal quest to find the truth behind its midget James Bond superstar Weng Weng.

A team of exorcists are sent into an old theater that is rumored to have been the site of a great tragedy during its construction.