Mostofa Sarwar Farooki

Set against the backdrop of the 37th anniversary of Bangladesh's independence, this psychological drama-thriller explores the intricate social, psychological, and political realities of post-independence Bangladesh. The narrative follows deeply human struggles that mirror the broader challenges, corruption, and evolving state of the nation, blending suspense with sharp socio-political commentary.

A devout village leader prohibits an array of modern devices, but when his strict measures go too far, the locals rise up in popular rebellion.

An unprecedented terrorist attack takes place in a peaceful café in the center of Dhaka, capital of Bangladesh, on a nice Saturday afternoon. The terrorists use religion to divide and to kill people, while the surviving hostages, all of them also Muslims, try to defend their own humanistic values. The film unravels the clashes and contradictions of religion, ideology, and civilizations through a terror drama shot in a single take.

A Tale of Touch. ‘Kacher Manush Dure Thuiya’: is a story of going away for the needs of life, and returning to the stirring of feelings. This long-distance relationship saga unveils the poignant struggles of lovers separated by thousands of miles – a narrative steeped in the complexities of distance, evoking doubt, mistrust, anger, and resentment, ultimately culminating in separation. It's a poignant portrayal of the profound longing for physical closeness, encapsulated in the simple yet profound act of a hug, bridging the chasm between distant hearts.

A village gathers a lot of money to buy a TV to watch the 2006 FIFA World Cup, but there are people who are supporting different country groups and creating havoc between them

As a noted filmmaker’s infidelity becomes a media firestorm, his fractured family privately navigates the fallout of his actions for years to come.

A bus called the Murir Tin holds the stories of people all over a small village in Bangladesh. It stops in almost every part of the village to take and drop off passengers.

Filmmaker-actor couple, Tithi and Farhan, are subjects of criticism and trolls for not taking baby in a patriarchal society. Tithi doesn’t succumb to the pressure of social validation and decides to have a baby when the time is right for her, but the question never ends for her.