Samuli Niittymäki

Inkeri, 75, has hit her husband on the head with a solid iron frying pan and is planning to bury him in their garden. Before facing the rest of her life in prison, there may yet be a moment left to really live. Inkeri makes her sisters Sylvi and Raili join her on a trip to the Koli National Park. Will Inkeri find in her that free young woman who desired a feminist revolution in the 70s?

Actress Roosa Heinonen is heading for her first lead role in a historical drama film called The Pastor. Arriving to the film set, she confronts an unpleasant surprise.

Group of old friends gather in a summer villa to celebrate a surprise birthday party for Mitzi, who is the dramatic focal point of the group. The weekend starts ominously when Mitzi does not respond well to the surprise party. It turns out that Mitzi has just filed for divorce and has been looking forward to a peaceful weekend. The tense situation takes a new turn when Mitzi's best friend brings her new boyfriend for a visit, who happens to be a Swedish film star. Familiar surroundings and the old rituals get to the core of the group and make them forget their adulthood. Revelations, not meant to harm the balance, make them reassess their past as well as their present.

Cosmetics saleswoman Kirsi Viilonen dreams of a career as a star artist. When Kirsi meets DJ and radio journalist Paula, she decides to give in completely to her dream of becoming a singer. Despite the scorn of the male-dominated music world, Paula recognizes the star in Kirsi and together they get her a recording contract. Kikka's career takes off when her nipple is accidentally flashed on a TV show. Kikka immediately becomes a national celebrity and one of Finland's best-selling female artists.

Rakel is a strict Christian believer living in the far north of 1930s Sweden. When her husband forms a sectarian movement, with directions straight from God, she has no choice but to join the increasingly explicit cult.

A buddy comedy about a fanatic small town football supporter who falls in love with a perfect girl, only to notice that his dream-girl supports the wrong football team. Now he has to befriend the enemy or forget the girl he loves.

Siiri, a hardworking millennial, wants to be successful in her job as the advisor to the Minister of Economic Affairs. She craves a promotion. Siiri’s job takes her and the hard-to-handle minister, an unpredictable eccentric boss lady, to a big tango festival in a small Finnish town. Siiri’s father Petri, a former tango artist and an overly optimistic middle-aged man, wants to make himself useful to Siiri while trying to hide the fact that he himself is homeless, bankrupt and finally at his wits end. Over the course of one summer weekend both Siiri’s and Petri’s facade comes tumbling down but the tango keeps going on in the sweet Finnish summer night.

The film W is for Waves takes sisters, author Virginia Woolf and visual artist Vanessa Bell, as a starting point to explore the artistic process and examine the relationship between the visual and the literary. We see a choreography of two figures taking turns reading a book and moving with two large-scale paintings. The camera witnesses the actions and plays a subtle yet active role in altering the experience of space and visibility. The film was shot on 16 mm film at Bell’s country house, Charleston, in East Sussex, and at Kalervo Kallio’s Artist Home in Helsinki. The text is adapted from Virginia Woolf's novel The Waves (1931), with some modifications.