Arthur Brown

After a series of traumatic childhood events, a psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.

When Chicago firefighter Jack Moniker retires and moves to a small Caribbean island, he is befriended by the owner of a run-down resort. Together they renovate the resort and lure tourists to Club Paradise in an effort to fight off corrupt officials and businessmen who want to claim the resort as their own.

Paul and Jennifer Hemdale have just moved into their dream house. But their happy marriage is about to be put to the test as they slowly discover the secret behind the black room in the cellar. Something else is already living in their new home and it is growing stronger every day.

The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.

When Stefania falls pregnant, Jose becomes suspicious about the nature of the clearing work she's undertaking to help support the family. Paranoid that she's keeping something from him, he follows her. However, rather than reveal Stefania's secrets, Jose steps into his own nightmares and finds himself exploring his own guilt.