Lim Yu-Beng

The story of the romance between the King of Siam (now Thailand) and the widowed British school teacher Anna Leonowens during the 1860s. Anna teaches the children and becomes romanced by the King. She convinces him that a man can be loved by just one woman.

A teenage girl clashes with her practical mother over selling the family piano—her last connection to a father slipping away to young-onset dementia—as they prepare to move homes.

In a dingy motel room that is as hot and clammy as the jungle painted on its walls, a sexual threesome has been arranged to take place. Except that the two men lying in wait are officers from the Central Narcotics Bureau, ready to apprehend their suspect, who is going to show up with crystal meth at any moment. Staff Sergeant Boon is garrulous and relaxed; for him, this is a job just like any other. Inspector Anton, on the other hand, is preoccupied and tense, and is increasingly restless. As the wait for the suspect lengthens, it is apparent Anton has something infinitely more personal at stake. In what appears to be a routine crackdown operation, which walls will come tumbling down, and what thresholds will be crossed? In the film’s tropical swelter, how does one ascertain that everything one sees is not a mirage from a fragmenting mind?

Assigned to accompany two priests on a mission to convert the court of Kublai Khan to Christianity, Marco Polo is abandoned in the mountains when the priests, doubting the very existence of China, turn back. Polo eventually pushes bravely forth alone toward the fabled country where he is accepted as an envoy into Khan's court. Marooned on the far side of the world, Polo, accompanied by his servant, Pedro, advances as a Mongol grandee for twenty extraordinary years. What he eventually brings back with him to the West is a chronicle that changed history forever.

Teenage outcast Luna struggles to fit in at school, bullied for being 'ugly' and 'poor'. Craving acceptance, an accident transports her through alternate realities in search of happiness, but with dire consequences.

Inspired by true events, Solos explores relationships among three individuals who are struggling to open up their feelings towards each other. Filmmakers Kan Lume and Loo Zihan co-directed this pathos that dramatizes the selfishness of love and its tragic outcomes. Set in contemporary Singapore, Solos follows the endeavors of Boy, Man and Mother. Having been in a relationship with Man (Lim Yu Beng) for years, Boy (Loo Zihan) eventually grows up and wishes to quit the relationship. Conversely, Man still wants to be with Boy and for them to settle together. Meanwhile, Mother (Goh Guat Kian) is devastated that her son (Boy) has abandoned her and has been in relationship with Man. As the three characters fight their own demons, Solos juxtaposes reality and surreal scenes in order to give clues of each character’s inner desires. The film has minimum conversation to give freedom to the audience's individual interpretation of the film.

A group of strangers' lives fatefully intertwine as they navigate budding love, confront profound loss, and encounter old flames.

The Y2K Bug. Real Warfare vs Electronic Gaming. Peter Tong, a carefree Hong Kong youngster, finds himself drawn into the web of a deadly espionage conspiracy. A clandestine organization schemes to use the Y2K Bug to cause mayhem throughout Asia. To survive, Peter has to call on reserves of courage and stamina he has never needed before.