Anne Grete Hilding

To get a job in a female trio, Per Fagernæs dresses up in women's clothing and calls himself Martha. Together with his "boyfriend" Poul, the four of them travel to the countryside. Martha immediately gets an admirer, which she is not particularly happy about. Martha is drawn into the women's movement by the mayor's wife, and at a women's rights meeting she is nominated as a candidate for parliament. Later, she is elected, beating the mayor of the town by one vote. Meanwhile, both Martha and Poul are having problems with love, as they have both fallen in love with two real women from the trio. But how do you declare your love when you are engaged to Martha, and how do you get rid of Martha?

A new foreman, Huus, arrives in a sleepy Danish village, much to the delight of the unmarried women there. However, Huus becomes very friendly with Katinka and her husband, Bai, the stationmaster. Katinka, childless and in frail health, gradually falls in love with Huus, though her husband does not seem to notice. Based on the work by Herman Bang.

In the year 1646, Denmark is at peace. Only recently have the last occupying troops left Jutland, leaving behind the sad traces of iron heels. The administration has partially collapsed, the kingdom is short of money, and what money there is is unevenly distributed. This is the unusual and sad background to this unpretentious account.

Herbert and Bitten live in a lovely house, happily married with two children. Herbert is a teacher at a secondary school, and he writes poetry in his spare time. Bitten is an engineer at a tie factory. Their home only functions thanks to their housekeeper, Mrs. Jørgensen. When Mrs. Jørgensen is confronted with her greatest fear—a live mouse—she leaves the home, never to return. Now there is only one thing to do: Herbert must give up his job and become a stay-at-home dad.

A different kind of Danish film about Denmark, the Danes, and everyday life in Denmark. An episodic film consisting of different storylines, which are linked together by several smaller scenes.

Arntsen takes things and people around him too seriously, and has therefore been awarded a disability pension. And he is not exactly clairvoyant either. But that may come, and often with female help from, for example, Vaskemutter, for whom he does the laundry, or Mette, who has her own problems and accepts him as he is – even without clothes.

A girl inherits a string of industrial concerns that will become bankrupt by the inheritance tax unless the girl marries the son of the owner of a competing industrial concern.

Svante has disappeared and a journalist seeks Benny to hear about his relationship with Svante. In retrospect be seen Benny and Svante with Svante lived with Mrs. Jensen in Copenhagen. When Benny and Svante last meeting would Benny sure to Svante show was released. Benny seek police to report Svante missed and have given a description of Svante. For several years, we follow Benny hunt for Svante including through interviews with Nina. Police seek out the places where Svante traded and the nerve clinic he was hospitalized.

In the wake of a divorce, Thelma now lives alone with her teenage daughter Irene. Somewhat overwhelmed by the situation (and initially often hiding in bed), the two women embark on new experiences. The contours of new identities and a firmer footing as individuals gradually emerge.

Tove Andersen's problem ends in Christianshavn's moat, and this is where the film begins. The body has a noose around its neck. The homicide division is called in, and it turns out that shortly before her death, she had undergone an illegal operation. An unscrupulous womanizer had abandoned the young student from the countryside when the relationship had consequences. The doctor rejects her after a beautiful lecture on the sanctity of life, and she must therefore rely on "private" help.

In "Ugens Ekko," the editor's greatest asset is "Aunt Oda," the renowned "love doctor" who provides the magazine's readers with advice and guidance on matters of the heart every week. Only those in the know are aware that "Aunt Oda" is in fact the young poet Ambrosius Hansen, who once impressed editor Vestergaard with some words about women.

Per Brask is a fisherman's son, a lively 16-year-old boy, still too young to go out to sea, even though, like other boys on the west coast, he has to help out with the daily work. He is mostly preoccupied with playing, while dreaming of getting his own boat. The boys from the dunes are in a constant battle with the fjord boys, or land crabs – usually just called crabs – who are the boys from the village by the fjord or from the farms further inland.

It cannot be said that the two actors Kurt Karlsen and Valdemar Hansen are particularly successful. The audience often has to ask them to stop, and financially things are not going well either, so they have to flee from their hotel bills. In a provincial town, Professor Andersen has just died, and when the two actors arrive in town at the same time, they are mistaken for the professor and his assistant and are given accommodation at one of the town's hotels as guests of honor. Then events take a turn for the worse. A bank director, a lawyer, and a contractor are very eager to see the late professor's invention continued, as the formula was lost when the professor died. Who will win in the end? The suspicious businessmen, the two actors, or two young people who love each other? And how many times will bank assistant Johansen lose his job?

The mysterious, impoverished Count Virtus (Federspiel) realizes his dream of a life at sea, and his young servant Kent (Springborg) must endure much pain before he finds happiness.

In 1970s Denmark, the criminal police in a provincial town solve different criminal cases, when the police was dominated by men and DNA was not yet a tool in investigation.