Ellen Margrethe Stein

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

Herbert and Bitten live in a lovely house, happily married with two children. Herbert is a teacher at a secondary school, and he writes poetry in his spare time. Bitten is an engineer at a tie factory. Their home only functions thanks to their housekeeper, Mrs. Jørgensen. When Mrs. Jørgensen is confronted with her greatest fear—a live mouse—she leaves the home, never to return. Now there is only one thing to do: Herbert must give up his job and become a stay-at-home dad.

A good natured soldier with a killer right hand falls in love with a beautiful girl who has a troubled past.

Director Albrechtsen, who heads a large construction company, is a tough and ruthless businessman. He does not shy away from dubious transactions when they serve his interests, and it is precisely on this basis that he comes into sharp conflict with his employee of many years, civil engineer Humlegaard, and the conflict leads to Humlegaard leaving the company. In the film, we now follow the far-reaching consequences of Albrechtsen's brutal actions.

To get a job in a female trio, Per Fagernæs dresses up in women's clothing and calls himself Martha. Together with his "boyfriend" Poul, the four of them travel to the countryside. Martha immediately gets an admirer, which she is not particularly happy about. Martha is drawn into the women's movement by the mayor's wife, and at a women's rights meeting she is nominated as a candidate for parliament. Later, she is elected, beating the mayor of the town by one vote. Meanwhile, both Martha and Poul are having problems with love, as they have both fallen in love with two real women from the trio. But how do you declare your love when you are engaged to Martha, and how do you get rid of Martha?

Frederik makes various scams. As money is once again tight, Frederik and his wife Betty decide that they must go in new directions. Frederik dies and Betty cancels the life insurance. At first, things go very well for Betty. At the same time, Frederik is very jealous, which is why he decides to check Betty's relationship with men. Frederik appears as Frederik's brother, Carl. Carl and Betty have a few pleasant days together. Betty suspects that Carl is actually Frederik, but how could she know for sure. At the same time, the web begins to tighten around Carl/Frederik.

The priest in Solby borrows 2,000 kroons from the parish council treasury to pay for one of his parishioners' hospital stays in Germany. Marianne, the rich man's daughter, is to be a bridesmaid in Aalborg and is leaving Copenhagen for Jutland. In Solby, she drives too fast through the town, which is why she has a car accident and ends up in the priest's garden! She immediately starts to lead everyone around the rectory, which Aunt Marie is definitely not happy about. The priest, on the other hand, is attracted to the girl. They swim in the lake and go to a ball together, which leads to Mrs. Larsen coming in to talk to the bishop. After Marianne has returned to Copenhagen, the bishop announces his arrival at the rectory. Where will the priest now find the 2,000 kroons? The priest has a number of friends who are trying to help him, but he also receives unexpected help from the bishop.

The late 1930s. A young enemployed, unskilled worker walks through the streets of Copenhagen, sustaining himself partly on the dole and free soup-kitchen meals and partly on day-dreams. He spends time at a cemetry studying headstone inscriptions. Mild-mannered and of poetic bent, he understands little of an intellectual friend's advice and shies away from the love of a woman who shares her bed with him.