Ercole Vaser

Count Christian of Sivry secretly marries a beautiful factory worker, but his father disowns him. Living as a poor worker, he becomes a jockey when his money runs out. After a steeplechase fall, he is brought to his parents, who finally forgive him.

After seven years of traveling, Aeneas and the other Trojans are surprised by a storm that wrecks their ship on the African coast. Here they are led by the Amazons to the Queen of Carthage, Dido, who soon falls in love with Aeneas. When the King of Numidia, Iarbas, comes to marry Dido, she rejects him. But in the meantime Anchises appears to Aeneas in dreams, and commands him to leave to found Rome. So, while Iarbas’ army surrounds Carthage, Aeneas embarks secretly for Rome.

A young man sentenced to death manages to postpone his execution because of the impending wedding of his poor sister, who is to be married off. His best friend vouches for his return. After taking care of his sister, the young man hurries back, but is delayed by numerous unexpected obstacles. Nevertheless, he continues the journey, determined to join his now-presumably dead friend.

A humble fisherman's singing distubs some witches. The eldest witch tries to make him stop, to no avail. She throws handfuls of gold into the sea, making the fisherman crave for riches. He becomes a lord, a spendthrift, a gambler and, poor again, a bandit. Full with remorse, he returns to the sea only to drown himself.

This film shows the realistic battle scenes of the Siege of Moscow, with the sensational defeat of Napoleon, with the belching cannon, the battling soldiers, scenes of heroism and daring reproduced in the most exquisite photography.

Italian short drama directed by Luigi Maggi.

A Prince is suffering from winter doldrums; his palace alchemist gives him some magical doodads to ease his distress.

Roman emperor Nero is used to getting what he wants. He has grown tired of his wife Octavia, and has become infatuated with Poppea. He succeeds in making Poppea the new empress, but soon he faces opposition from an outraged populace. Informed of the danger of an imminent popular uprising, Nero orders to set fire to the city, which he watches from a terrace, rejoicing and playing his lyra.

I raggi “Z” has been irresistibly charming in every stage of its gradual rediscovery. A 15-minute fragment with lovely scenes of a snowy cityscape of Turin surfaced in the early 1990 at the CNC in Paris, and was then identified as Oca alla Colbert (Eleuterio Rodolfi, 1913), because of the seamstresses masquerading as geese. After additional discoveries we could screen 30 minutes of the same French version at the Cinema Ritrovato 2009, in the section dedicated to Gigetta and Rodolfi. The storyline gave away the correct identification of I raggi “Z”, a 1917 Ambrosio production, whose director remains unknown. But would any other Italian director than Rodolfi be able to create a comedy of such elegant, warm-hearted humour and enticing brio, and set the stage so well for Gigetta’s wonderful acting? (Mariann Lewinsky)